By: Wes Civilz
Featured art: Murol in the Snow by Victor Charreton
« For three days, no coffee;
there were headaches »
« On the fourth day, I have coffee again »
« My frozen intelligence melts open,
sizzling with otherworldly light,
but two hours later a slight sadness
and a fading of the perfect coffee feeling »
« Then comes a desire for beer »
« Then a quick feeling that now
is a moment I could be bored,
if I was a person who got bored,
but I am not »
« It is, however, too early in the day for beer
so I do the dishes, and observe that soap bubbles
are sly jokes told by the goddess of spheres »
« I drive to the dump, aka, the transfer station,
where I will transfer the waste of my life
into a cavernous compactor »
« (Other, more privileged things get to be recycled) »
« I behold the shapes of packaging
that held the things that I used—
that I used up »
« They are not lacking in beauty if looked at correctly:
plastic casing with two bulb shapes for headphones;
wax paper in the shape of a soap bar;
browning skin of a banana »
« Someone else will worry about them now »
« When I get home and see the dishes are done
I experience, oddly, a desire to do more dishes »
« I enter the Internet via my laptop and receive my stiff daily dose
of helplessness regarding our world »
« Our world is apparently a grasping amoeba of cars
and weapons and cash and smiles and cute cats »
« Also, unluckily,
I stumble onto a picture of a dead cat »
« It is still too early for beer »
« If only I would only want things when
it was the right time to have them »
« If only I would want only the right things »
« A wasp patrols the living room even though it is winter »
« A large man clears the driveway with a plow-bearing truck »
« My father returns from his trip to town »
« The grandfather clock ticks but does not annoy »
« A tentacle of sunlight tickles my arm »
« This is when I notice the morning fog
has forgotten to remain »
Wes Civilz lives in the forests of New Hampshire. He posts micropoems on Instagram under the handle @wes_civilz, and his longer work has appeared in journals such as The Antioch Review, The Threepenny Review, Arts & Letters, and Quarterly West.