2019 Summer Exclusive

Featuring stories by Barbara Ganley, Kate Wisel, Laura Jok, and Alan Sincic: an essay by Kay Gram; poems by Francesca Bell, Dan Clark, Janice N. Harrington, Matt Prater, James McKee, Kathryn Jordan, Adam Tavel, Jacqueline Balderrama, Katie Pynotek, Maria Nazos, and Kerry James Evans. With art by Madara Mason and others.

Flight Lessons


by Barbara Ganley

Featured Art: “Holy Holy Holy” by Yan Sun


Because it’s Thursday, nearing five o’clock, Lucie is well into a doozie of a headache. Every week at this time little Jenny Baker hands her one as they sit side by side in the dining room and Jenny busily tortures the piano. She’s a narrow slip of a thing with a distracting, gum-baring smile made stranger today by a drift of tiny metallic stars sweeping across her cheeks like cosmic freckles.

Her orange high tops smack the stool’s taloned feet bapbap as she bludgeons the keys in an apparent heavy-metal version of “Long Long Ago.”

The piano, old and patient, takes it. Lucie, who is neither of those things, says, “A bit slower and softer now. See if you can find the melancholy.”

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Just Like All the Girls

Read by the author.


by Francesca Bell

Featured Art: “The Sea of Memory and Forgetfulness” by Madara Mason


I always knew

a man waited for me somewhere
with hands that fit the particular curves
of my treacherous body.

Whether I watched for him or not.
Whether I believed.

Sometimes, in dreams, he entered me from above,
like a coffin lowered slowly into a grave.

Sometimes he held me hard from behind.

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Elegy with Two Portraits

Read by the author.


by Dan Clark

Featured Art: “Basa de Maya” by Madara Mason


The priest swings a thurible. Incense,

swirling and nebulous, encircles the cremation urn.

A few feet away, a husband weeps.


He’s not thinking how Oregon came to fill the ocean

of itself, how island arcs docked like icebergs

against the Idaho shore, where Mesohippus,

diminutive proto-horse, grazed beneath the juniper.


He’s not considering how Oregon drifted through

several versions of itself—savanna, jungle, desert—

then settled for a time as a placid, inland lake.

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Read by the author


by Janice N. Harrington

Featured Art: “Squall” by Madara Mason


My skin, my confessor, my cubicle,

scrivener, touch screen, touch-collector.

Frame and shawl and portmanteau. Wait,

wait, don’t go. The sun’s too high,

too hot. You’ll burn for sure.

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Wind & Sand & Stars

Read by the author.


by Matt Prater

Featured Art: “Bull and Bird” by Madara Mason


There was a roaming troubadour in the years of maille & sword

who lunched on wild strawberries,

communing with the Lord.

But his creed was not dogmatic, & he didn’t bow the knee;

so found himself impaled by a roaming soldier, eventually,

when he would not sing the praises

of the ravenous Crusades. He held G-d

was the father of Muhammad & the Moors,

so went to Heaven softly, whispering amor.

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Morning Commute with Revenant

Read by the author.


by James McKee

Featured Art by Courtney Bennett


You know how it is: going in to work,

Who looks at anything? You’re late, it’s cold,

hot, raining, no buses again, whatever.

You’re long past fighting this fast-forward blur,

pure A-to-B time, better numbed than bored.

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Holding On Is [ ]

by Kay Gram

Featured Art: “Cradle of Kleptocracy” by Madara Mason


[arms & legs]


Be my arms and legs. You’re strong. You can do it! Mom would say. Mom’s body was small, fragile, needed time to move, moved differently than other bodies. I always thought she was beautiful. She was—blonde, blue eyed, narrow nose, all symmetrical. Mom had a determined presence that demanded respect and she had mastered the performance of a Eurocentric female beauty. Outfits were planned, makeup was worn, perfume was sprayed. We were late to everything. Sometimes she fell down. Read More

Northern Flicker

Read by the author.


by Kathryn Jordan

Featured Art: “Bird Notes” by Madara Mason


It hits the window like a woman being thrown

against a wall. “Must have been an owl,”

I say to my grown girl emerging Read More