By Savannah DiGregorio
Excerpts from The Extant Works of Aretaeus The Cappadocian, translated by Francis Adams (1856), A Brief Discovery of a Disease called the Suffocation of the Mother (1603) by Edward Jorden
In the middle flanks of women lies the womb, a female
viscus, closely resembling an animal; for it is moved of
itself hither and thither. In a word, it is altogether erratic.
You made an aquarium of my insides. Sculpted
salty marshlands out of meaty pulp. Fashioned
algae nests from fleshy sinew, white & crooked
as the half-moons of fingernails.
You napped in the hollows of my ribcage. Nestled
your mighty body into hammocks of irish moss. Smacked
on sugar kelp like pink chewing gum, sapped & sweet
as the raw nerves under cracked teeth.
In fragrant smells it also delights and advances
toward them. To fetid smells, it has an aversion, and
flees from them. On the whole, the womb is like an
animal within an animal.
From deep inside me you now roar. Crying
and howling until my whole belly
sometimes lifts.
When, therefore, it is suddenly carried upwards,
and remains above for a considerable time, violently
compressing the intestines, the woman experiences
choking.
My organs; an oblation to you.
For the liver, diaphragm, and lungs are quickly
squeezed within a narrow space; and therefore loss
of breathing and speech seems to be present.
With teeth clamped shut,
our hearts convulse in chorus.
This suffocation from the womb accompanies females
alone.
Men stuff partridge feathers and hot coals
inside my nostrils. Prod
blisters on my breasts—blindly,
as newborn kits search for milk.
Those from the uterus are remedied by fetid smells,
and the application of fragrant things. A pessary
induces abortion and a powerful congelation of the
womb.
From me you surface burnt
and hemorrhaging on sorrow. Like
that of slaughtered swine.
Grief comes with sponge and pail.
Scours my soul—barren,
we laugh ourselves to sleep.
Savannah DiGregorio is a writer from Nashville, TN. Currently, she is a PhD candidate at Vanderbilt University where she studies the relationship between race and the nonhuman. Her creative work can be found in The Offing, HAD, and elsewhere.