In the Tavern

By Claire Bateman

It’s a luminous moment in the history of thought experiments. Enlivened by
gooseberry pie and ale with gin and bitters, a voviferous group of scholars is
testing the boundaries of hypothesis.

“Envision,” says one, “portable mirror-like surfaces for communication across
towns, over mountains, even between continents.”

“An exchange through galvanized ink? Words inscribed on one mirror would
instantaneously appear on the other, replacing the Penny Post?” Inquires his friend.

“No, I speak of a more surpassing marvel—distant faces and voiced summoned
at will, borne on subtle aerial frequencies!”

“Etheric magnetism, as with a seance?” asks a third man, a little too loudly.

The first scholar frowns—it’s dangerous to speculate openly about occult
practices. “Not magic, but natural philosophy!”

A few scoff, but most find themselves intrigued; thumping their tankards
on the oaken table to demand another round, they spin out possibilities. Why,
with this device, a gristmill owner in Yorkshire could discuss the price of grain
and the fluctuations of the Royal Exchange with his banker in London before
tea; the colonel poring over his map at headquarters could give timely orders
to his lieutenant in the field; and far-flung lovers could strip of their garments
to mime for each other their most lascivious imaginings!

Yet as our philosphers ponder parabolic reflectors, the movement of light
through dimensional space, the location of the soul in the human frame, and
the relation of matter to mind, apprehensions arise. To separate a person’s
image from its source—what kinds of ghastliness might ensue? Would these
apparations be passive simulacra or possess free will? Might self-interested
savants trap them en route to nefariously command or alter them? Or might
they spin loose on their own, proliferate, roam in packs to haunt and harass?
What uncanny powers would they wield, and how long would it take for that
unnatural practice to deplete each body’s living essence, leaving only a husk
behind? Though even at this hour the fire still crackles and spits in the open
hearth, a chill creeps over the gathering.

And whispering across the centuries, what reassurance could we give them
now?


Read More

(a)rs poet(i)ca 

By Baylina Pu

Featured Art: “Stolen Beauty” by Leo Arkus

I have been looking at images 
of AI-generated art all day. Something about 

the control in the brushwork 
mimics the delirium of a real artist, 

though what “real” means anymore 
I can’t exactly say. Lately I’ve been 

eating rice crackers at midnight 
while solving logic problems for fun, 

a bad habit.  There is something 
such that, if it is wet, then 

everything is wet.  I tell the robot 
to paint “Dream of the Red Chamber,” 

and it gives me a roomful of blood. 
How many photos did it dissect before 

it could make that? I mean paintings 
garbled into code, the way a prism 

reassembles light? I ask the machine 
to show me the fifth dimension: what I receive 

is a door. Its surrounding walls are made 
of something like stained glass, which spreads 

lattice-like across the floor and ceiling, 
like the brain of something more beautiful 

than a living thing. The colors shine metallic, 
though if you look closely the shapes 

appear distorted, confused. What is the robot saying, 
I wonder. Everything it knows, it learned from us. 


Read More

POOF

By Sandy Gingras

My mother wants her head to be frozen
after she dies. I’m against it, but
there’s no talking to her. She has a brochure.

On the cover, there’s a picture
of a white building with no windows.
I tell her, I go, “I’m never gonna visit you there.”

She says, “Fine, fine,” the way she does.
She reads me the whole brochure.
She’ll be maintained at something-something degrees

until they come up with the technology to defrost
her. The, she says, “POOF. It’ll be like
being microwaved.” I go, “Think about

what happens to popcorn.” She keeps on reading
about how they’ll just fiddle around with her DNA,
and she’ll grow a whole new body. I don’t get that part.

I go, “What if they can’t grow you a body,
and you’re stuck being an alive head forever.”
She says, “Then you’ll have to carry me around.”

I knew it. I knew it.


Read More