Difficulties

By Wes Civilz
Featured Art by Rachel Hall

Today will be a paradise if I 
Can manage to control the many hells 
I’m made of. If I misidentify 
The buzzers, flashing lights and warning bells 
Haphazardly erupting here and there 
Inside my skull, my soil, my sin, my sex, 
I’ll pay the price—which means that everywhere 
I go I’ll be nowhere, a circumflex                              
Over myself. Not quick, just dead. No good, 
Just bad. No song not noise. All kisses stone 
And any kindnesses misunderstood 
As counterfeit. All indicators show 
     Too much vibration in the system now—
     Reach up and flip the switch and shut it down. 


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Blood Moon Blues

By Johnny Cate

Featured Art: “Choreographic Translation,” black and white scan of choreographic
notation encapsulated in hand-made paper, by Zelda Thayer-Hansen

    Post-punk November puts on
  her black lipstick in the year’s mirror.
Eye shadow and zygomatic rouge

    give time that Bauhaus cool: we’ve all
  got it coming—who cares?
Death’s inevitability

    means as much to me
  as the bone-dry bottle of pinot noir
I drained solo under the blood moon—

    gonna die and soon, soon.
  So what? You won’t see me cry.
I’m deep six, baby—crystal-iris wastoid

    in a white feather bed, voices in my head,
  yeah, born doomed but it’s no
business of mine. I’m

    drawing the blinds,
  thinking about a girl in leather,
last name Jett slash first name Joan—

    throw out your lame zodiac, loser,
  and repeat after me: I don’t give a damn
’bout my bad reputation.


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I Love You Too, Bro

By Alex Howe

Featured Image: Mun by Sam Warren

for Catya McMullen

Beauty rears its ugly head – Assassins

You can be non-suicidal and less than jazzed about being here, two
Juuls at once like a pacifist dragon or the mild Dionysus of bad

ideas. Skip the Trix rabbit’s abjection: gift yourself the gift of
desperation, the terrible utility of popcorn for breakfast. “Whatever

you find uncomfortable and nasty about a new medium becomes its
signature, cherished and emulated as soon as it can be avoided”

explains Brian Eno bombing by on rollerblades into the flip phone
flipping shut into his fanny pack. The hotel’s Mahogany Hall

blooms two hundred vape plumes the moment the emcee mentions
prohibition on same. These teen alcoholics don’t drink, they bong

Monster, fuck senseless, talk about drinking. Pray to doorknobs.
Play Mafia. Splash the ping-pong ball into the cup of Red Bull.

Drop the sick beat. Crack your glow stick.


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Turn To Kristen Bell

By Alex Howe

for Darcie Wilder

Turn to Kristen Bell and ask if you should do something a little
reckless. “You know the world is ending, right?” She’s not the
person you go to when you want to be talked out of something.
That’s what probation officers are for. Kristen Bell doesn’t think
people take yolo seriously enough. It’s tough to argue with her. She
says, “What’s a little reckless?” You tell her you’ve always loved
her. Love-loved. She laughs. “That makes sense. No offense.”
You’re starting to have second thoughts about flying this plane into
Exxon headquarters. You’re starting to panic. Name three objects in
the cockpit. Name an animal that cloud resembles. Estimate the
plunging angle of descent. As if sensing your turbulence, Kristen
Bell says, “Have you ever seen First Reformed? With Ethan
Hawke?” “Daddy,” you respond. “Exactly,” she whispers. “Daddy.”


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California Department of Corrections and Rehabilitations: Dial 2 for Inmate Information

By Jeff Knorr

Featured Art: Winter Dreaming of Spring by Nancy Dick, Norman Calkanic, Kate Goreman, Patty Mitchell, and David Dewey 

What information could you possibly deliver—

            that he’s safe, that the kite he put in

                        for the GED has come through.

 

If you know the party’s extension you wish

            to speak to, you may dial it at any time.

 

To dial his reference number

            and have a phone ring in his cell.

 

Otherwise hold for a representative—

 

            Information, Officer Medeiros speaking.

 

Yes, Officer Medeiros, can you wander

over to dorm C, bed 211 

and check on my son for me?

 

Can you tell me what he’s been fed the last two weeks?

            Can you check if the light flickering

                        above his bed at all hours has been fixed,

 

            Instead I ask, is he allowed to

                        receive packages yet, new books?

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Second-Hand Tongue

By Tamara Miller

Once I bought a beautiful tongue at a second-hand store. It was an impulse buy; I probably paid more than it was worth, if it was even worth anything at all. After I got it home I felt a little ashamed and regretted my purchase. What did I need a second tongue for while my own just wasted away in my head, unused? But the thing about this new tongue was that it liked to wag. When my god-given tongue locked down tight against my teeth, this second tongue would start in, first about righteousness and then about salvation, until I realized something terrible: my new tongue had caught religion. It was a preaching kind of tongue, silvery and sly as the devil. I tried to silence it, with candy and pride and fear, the way you do with tongues, but it would not deviate from the path of righteousness it liked to march up and down my esophagus like a parade of Stormtroopers. Shut-up, I called with my other tongue. Please. Shut-up before someone hears us. Before someone realizes we are not who we say we are.


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Radiology

By Kim Garcia

Sitting on the x-ray dolly, gown fastened front to back,
steel girders propping the tracks of the x-ray cam,
resting in half-dark with a lead blanket
size and weight of a doormat over my belly
while the tech disappears behind the wall
and a light flashes blue and white,
then more waiting, every joint in need
of repair.
                   The cam floats over my body.
The tech touches me gently. He’s nearly bald
and pale in his scrubs. I sit up, hearing
a soft popping of cartilage as I swing
my knees over the side. Knee-capped
by nothing. I am so poorly
designed and executed that one might call
this incarnation accidental, unintended.
And against accident, what can I do but keep
intending?
                   So, bless the half-hearted pinging
of the Philips logo saving the screen.
Bless the lead aprons and blankets,
the plastic stretcher board hung
on hooks on the wall, the stacks
of towels and plastic gloves, the cream
and cocoa checkerboard tiles, the tech
with his soft hands in this cheerful wing
that promises nothing
                   the lame will not walk
                   the deaf will not hear

but more light
to see our suffering by.


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Mexican Standoff

By Dylan Loring

This summer afternoon on the blacktop
of an elementary school playground
Steve and Rachel have their guns pointed at each other,
as tends to happen every once in a while
between two people who have dated for months,

that is, until Chet shows up brandishing his revolver at Steve,
causing Rachel to complete the triangle by shifting her gun
toward Chet, at which point, Steve says, “Well lookie here.
Seems like we have ourselves a Mexican standoff!”
which makes Rachel say, “Wuh? None of us are Mexicans.”

“I could call my bud, Raul, if you put your guns away,” Chet says.
“That would ruin our Mexican standoff!” Steve says.
“Adding a Mexican to our Mexican standoff
would ruin our Mexican standoff?” Rachel asks.
“Have you ever even been to Mexico?” Chet asks.

“A Mexican standoff,” Steve says, “occurs when each person
in a given vicinity has both a gun pointed at himself
and his gun pointed at someone else.”
“Or herself and her,” Rachel adds.
“Sounds to me like a gun deadlock

or a James Bond-high-stakes-poker-thingy,” Chet says.
“Mexican standoff is just what it’s called,” Steve says.
“I could sure go for some Mexican food
after this . . . Mexican standoff,” Rachel says.
“Are you sure it’s called a Mexican standoff?” Chet asks.

“It sure sounds either made-up or racist or both.”
“It’s not racist, it’s just what we call it,” Steve says.
“You mean like how we call the Washington Redskins
the Washington Redskins? Because that’s still racist
even though it’s the name of our local football team,” Rachel says.

“Go Redskins!” Chet adds. Chet is an avid football fan.
“The Mexican part of the Mexican standoff
is literally the least important part,” Steve says.
“You probably mean figuratively.
People almost never mean literally,” Chet says.

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Thief

By Owen McLeod

Every Thursday, on his way to therapy,
he drives past the house of the woman
he’s having an affair with. What interests
his therapist isn’t the sin, which she views
as a symptom, but the root. So they dig,
or seem to, and today he talks about his wife—
how, before they take a trip, she makes him
connect those timers to lamps in certain rooms,
and how much this annoys him, even though
it didn’t used to. As if their belongings were
of value. As if an automatic light might stop
an addict from breaking in.
                                                  As if the thief,
awake beside her, had not already come and gone.


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My Babysitter Karen B Who Was Sent to Willard Asylum

Winner, New Ohio Review Poetry Contest
selected by Kevin Prufer

By Jessica Cuello

There are only two photos of me as a child.
She took them, she had no child.

She had Kool Cigarettes and a job at the drugstore.
She gave me the Crayola box with the built-in sharpener.

Four hundred suitcases were stored in the attic
of Willard Asylum for the Chronic Insane.

She joined her twin brother there.
She wore her black hair down.

A child could admire it.
She bought me an Easter basket,

a stuffed rabbit whose fur rubbed off.
She walked everywhere.

She painted circles of blush on her cheeks.
Loony, people said so,

I mean grown-ups who saw signs
who passed her on our street before she

started to call and say Remember,
on the phone she said Remember,

Remember the date we killed her brother,
forgetting he’d been committed.

I took her hand and tagged along like an animal.
She was perfect to a child.

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Wex in Totus Taggle

By Owen Doyle

Featured Art by James McNeill Whistler

Words in an old notebook
prove (I was twenty-ish, then)
that mind-mud and dismally
tangled brain material
have causes other than old age
or illness. At the time,
they might have been explained
by the rum or beer in mind-
blowing excess the night before.
I don’t remember.
But surely those episodes
of binge and babble
are far outnumbered
by drier spells of helplessness:
me, frozen
over the neat rectangular form
of a blank page, compelled
to write totus to avoid
writing nothing.
It’s reason enough for terror
or self-pity, the thought
that those very things—the booze-
blasts and blackouts—were then
and are now the efficient
cause of wex and taggle:
furrows of gray matter, tilled
for art and wisdom, laid
waste, and the flood of those young
insults cascading still. But no,
I’ve heard that it’s very common:
this empty gaze, the pen loose
between a finger and a thumb,
its tip hovering
over absolutely nothing. And so,
as tragic as it all may be, finally,
I won’t let it bother me too
too much. Why taggle over wex
totus? I’ll pour myself a glass
of wine and see
what comes spilling out.


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Villainous Villanelle

by: Denise Duhamel

My id spits and licks his lips, trips my conscience,
my ego, Miss Goody Two Shoes.
Her neon pink laces make him nauseous.

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Stuff

By Claudia Monpere

Featured Art: [Villa d’un Chiffonier (Ragpicker’s Shack)], 1920 by Eugène Atget

I saw you, daughter, sneaking
a garbage bag of my treasures
into your car. Those heaps of eyeglasses are art.

Never mind the cracked lenses
and broken hinges, the bent frames.
Some day I’ll make a sculpture or hanging lamp.
I’ll make a mobile.

The broken picture frames and dried-out
pens. Even the bottle caps beg
to be known. And how patient
those stacks of hotel soap.
Waiting. Just in case.

Yes newspapers haystack the walls.
But it’s all there: knowledge at my
fingertips. The postman will bring more.

There is an ocean liner inside my heart
that waits to set sail. The crowds wave
at the dock. My shades are drawn.
Bring me, daughter.
Don’t take. Bring me a basket 
brimming with words.

Not fester, not filth—
fang words that surgeon my heart.
Bring me gossamer, lagoon, violet-crowned
hummingbird.
Bring me, daughter, elixir of cloud.


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Detective Story

By James Lineberger

Featured Art: by sir Edwin Landseer

When I worked as a janitor at the courthouse
I met a detective in the Sheriff’s department
whose son, I learned, had committed suicide
some months earlier. Having lost a son myself
in a car-train collision, I tried to offer my condolences.
“Your boy kill himself?” the detective asked bluntly.
“We never knew,” I replied. The detective grunted
noncommittally and opened his desk drawer to take out
a photo of his son, a young man in his twenties, kneeling
and embracing a dog as he grinned for the camera.
“Two days before it happened,” the detective said.
“About the same age as our son,” I said.
The detective stared at the photo for a moment.
“You got a dog?” he asked.
“Two,” I said.
“Thing about a dog,” he said, “a person can screw up
a hundred ways, and his dog will love him when he can’t
even love his self.”
“Our son’s dog still sleeps at the foot of his bed,” I said.
The detective turned the photograph over on its face
and glanced up at me, his eyes as cold as stars.
“Ain’t his dog,” he said. “It’s mine.”


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You, Strung

By Keith Kopka

Selected as winner of the 2015 New Ohio Review Poetry Contest by Robert Pinsky

Featured Art: The Race Track (Death on a Pale Horse) by Albert Pinkham Ryder

Young John Wayne leaps, without effort,
onto the back of a Palomino, and I know
he’ll catch the leader of the Taylor Gang
for what he’s done to his woman. He’ll swing
for this one. Wayne is ruthless, but it’s hard

to forget him cut open for cancer research,
the forty pounds of meat wadding through
his colon like a saddle strap. You and Wayne
have a lot in common: doctor’s hands

searched the mineshaft of your stomach,
catalogued what they took, then fastened
you with a wandering stitch. Still, nothing
extracted from anyone can explain why
the body takes revenge on the body.

                             ***
Hanging is the ninth most popular
suicide method behind gunshot to chest;
it has an almost seventy-eight percent

success rate, and takes seven minutes.
In the west, thousands gathered
to watch hanging judges size bight

and neck, and after the bags dropped
some took pieces of the scaffold or rope
as keepsakes. You hung, too.

I still have the pair of shoes you loaned
me in gym class on a nail hook
in the back of my closet.

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