The Grandmother Tree

By Pam Baggett

My sister named this venerable maple
growing at the edge of the mountain’s gravel road,
main trunk long broken, pocked with holes,
a once-mighty tree now slowly failing.
She’s lost her apical dominance, I say, meaning
that when the top broke off, side branches
shot up past the injured trunk like raised arms.
On the left, one wide kind eye, an open mouth
framed by credible lips. Step right, a second eye
squinted shut, mouth twisted up, as if she’s yelling
at us the way our father’s mother did: imagined slights,
our insufferable rudeness, which she thought
should be spanked out of us. Mom never laid a hand,
which says a lot about her mother, gone too soon
for my sister and me to have known. Grandma Baggett
and her snarling chihuahuas gone, too, when our parents divorced.
No wonder my sister imagines a tree could be a grandmother;
she’s been hiding in stories since we were small.
I anchored to the safety of science, to cold fact: Trees break.
A grandmother can call you Sugar one minute,
rage at you the next. Can die without you ever once
hearing her voice.


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A Small Room Off To The Side

By Ockert Greeff

Featured Art by Karen Renee

He will come to live with you
Make him feel welcome 
My mother says 
Her eyes turning away from mine 
Before I can search for the meaning 

I imagine I might have a small, empty room off to the side 
With a reddish glim 
That might bother him at night 
When he takes off his thick, black-rimmed glasses 
And his eyelids become soft and white 
Butterflies in his leathery face 

I would have to get a night-side table for his glasses 
And his teeth 
And his cowboy book 
So that he feels welcome when he comes to live with me 

I think that old single bed will be fine 
Now that he is alone 
He wouldn’t want more anyway 
But I will get new sheets 
For his old, pale body and his tanned forearms 
And maybe a soft, new pillow for his sunken cheeks 

I will ask my sister for that old painting 
With the open plains and hazy blue mountains 
So far, far in the distance  
The one she took when he died 

So that he has something to look at 
And so that he feels welcome  

When he comes to live with me, in me 
In a small room off to the side of my heart 
So very far from the plains where he grew up.


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HEN

By Steven Winn

Featured Art by Gary Cartwright

Somehow inside this wire-walled farrago,
Its strutty discombobulation half
Parade of plume and barrel-bottomed flank
And half a mad stampede for any door,

She stands apart, her neck up-stretched and target
Eyes aimed off somewhere, and stands her ground,
Each step a claim on just that spot, the way
Her spindled claw alights to clutch at sand

While high above, a royal in a bulbous
Ornamental coach, she barely takes
It in, crown swiveled to and from the broody
Babble of the mob, their rancid screams.

Something percolates, something like thought
That makes her beak beat down magnetic to
A speck of grain then up again to bring
The morsel down her rippling throat, a throat

That then becomes a spectacle, engorged
To twice its size, complete with guttering
Sound effects, one wing flexed out to show
She can and on another whim retracted,

Head turtled in and out and torqued so fast
She nearly does a full-on Linda Blair,
As if to advertise the fact that she’s
Detachable, a thing of separate parts.

A haze of downy silt hangs in the flock.
Tail raised and primly twitched, she ambles off,
A countess in her gown with time to spare
Before she hears the ax head split the air.


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Fortune Cookie

By Brad Aaron Modlin

Featured Art: Emaciation by Brooke Ripley

Yes, everyone says to add “in bed” to end
everything with sex, but all I think of is
the deathbed. Your hard work
will soon pay off
in bed. Great surprises await
in bed. Your experiment’s results
will reveal themselves
in bed. When I Christmas-visit
my parents, who love me in ways I
can’t understand, they say,
“We don’t want to leave you
a lot of junk to sort through
[when we die],” so when they dial
Chinese takeout, I suggest pizza.
No cookies.
I think about it all January. It’s still
that January, I think, I’m only in the middle
of it. If you say you’re in the middle,
you assume you know the end date,
that’s why religious Southerners say, “Lord
willin’” when making plans.
In a college poem, I made
the Gingerbread Man pickup lines about lic-
orice. I was afraid to rhyme cookie
with nookie, embarrassed by words
that might be 40–90% crass?
Afraid to expose myself
to danger: our Shakespeare
professor defined la petite mort.
I was afraid to talk about
death. My Brit Lit professor
angered me by saying,
“It’s all sex, death,
and madness,” so I yelled,
“People fully clothed
and alive under rainbows of sanity!”
Even I didn’t realize at the bar
the Gingerbread Man was flirting
with the fox.
No matter who writes the story,
everyone dies. I am too old
to find this so surprising.
Too young to keep repeating
the crassest word.
Too waste-averse to ask the fortune
teller to flip my cards
on her front porch. Congratulations!
You are on your way
in bed. All your troubles will pass quickly
in bed. Stormy seas ahead
in bed. You will find bliss
in bed. Love is around the corner
in bed. Love is around, love is.


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Twenty-pound flower

By Mike Santora

Featured Art: I Will Be Gone, But Not Forever by John Sabraw

O Rafflesia, why so down
in the canopy?
Let’s see anything else
toil for nine months
in the Sumatran jungle and come out
smelling like a rose.
You, cater the tree shrew cotillion.
Just ask the sly monks in Thailand.
Whether your medicine is gospel
can be argued in a lab until
pencils snap,
but in peninsular Malaysia,
you clot the bloodbath
after another girl handles
a birth by herself.                        
           Where were the roses then?
I know that I am petal-less
but what are you doing
for the next Millenia?
You could have me,
if you’d have me.
After I’ve died,
you can attach yourself to my breast.
I’d like to wear my last parasite
on the outside, like a corsage.    
   Or is it that you
       are wearing me,
               and it’s my turn
to live something
              like a flower?


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Love is a Kingdom of Obsidian

By Andrew Hemmert

So now my neighbor’s twelve-foot skeletons are all-season haunts,
this February morning holding huge pink balloon hearts
and grimacing against the freezing fog. I like them
this way, memento mori-ing my Tuesday commute,
though who really needs to be reminded of their own death
these days? In the shed we found a mouse corpse hollowed out
by weather and time. The body otherwise left intact—
a kingdom of obsidian abandoned in a jungle.
Love, I think, is a kingdom of obsidian I have
thus far refused to abandon to death’s jungle, though there
of course is time for everything to go wrong, or more wrong,
or wrong enough. Ice on the road, another driver running
the red, the sky a white sheet over my body. Until then
the skeleton in me is offering you its balloon heart.


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Scavengers

By Mark Neely

I could do without these turkey buzzards
hunched like crash victims
                      on the water tower’s whitewashed railing

                                                       red skulls

             poking from the ratty blankets
             of their wings. A county over

two taxidermied buzzards hang
from another tower. Their sickly talons
sway in the breeze—

            the only thing we’ve found that really works
            says the mayor in the local paper.

September. Heat rises in shimmery waves
from the asphalt. The black holes of their eyes
trail me as I sweat through a sluggish run.
They don’t stir, don’t so much as turn their heads.

                                    A few frayed feathers shiver against the sky.

                                                Remember newspapers? They were useful
                                                when we lived with the delusion
                                                we might need each other—under city
                                                bridges the destitute spread
                                                them over heating grates.

             I’m guessing water towers will last longer
             and vultures, who only eat the dead. I read somewhere
             their stomach acids allow them to ingest
             meat so rotten it would kill another animal. Like poets

                                                 I said, though no one else was there.

I’m always reading things, storing them away
for later. I’m always
chasing down my youth. So far he’s unimpressed.
He prances along in sleek shoes, pays me about as much
mind as groups of jostling teenagers pay me on the street.

             I fear these old birds
             have a thing or two to say, like grandmothers
             warbling behind screen doors. One drops

                                    flaps twice, rides a thermal
                                    traces three wobbly ovals
                                    over the train tracks where the road crumbles
                                    into gravel. I remember the lines
                                    from “At the Fishhouses,” about the seal who visits

                                                       evening after evening

              a playful opening
              in the vast, inhospitable sea.

              He shrugs off Bishop’s silly hymns, vanishes,
              reemerges elsewhere, making it clear
              he’s in his element. Here

streets run down toward the river, houses shrink
their porches falling in
until they finally collapse. My buzzard veers
over the dog groomer’s, the green-shingled nursing home
the Bahá’í temple—no more than a rundown ranch house—
then swoops high above the dentist’s billboard, a fearsome maw
of gleaming teeth. Earlier, Son House came on the radio:

                        woke up this morning feeling so sick and bad
                        thinking ‘bout the good times I once had had

I could see him banging his foot
on the juke joint floor, then withering
in a seedy hospital.

                                           Well, we got that over with,
                                           my mother-in-law likes to say
                                           after the parade winds down
                                           or the last guest pulls away.

You like to run? she asked me once, baffled
by any exercise that isn’t useful. I like to have run
I answered, stealing a line from a novelist I heard once, talking
about his labors, the endless straining for the right word

as opposed to the almost right one, which Mark Twain said
was the difference between the lightning bug
and the lighting. A few cars flash in the distance
as I cross over onto the greenway, a gray path
winding along the river like Ariadne’s thread—

                                    she helped a man who didn’t love her
                                    find his way. Sound familiar?

              Sometimes I catch myself
              wishing the day would end. Or try to leap
              whole years, even as they spool away.

                                             We used to call this human nature.

Bishop thought of knowledge
as a kind of suffering
a dark expanse
we can only skirt the edges of…

                                    Inside the tower’s globe, an ocean
                                    waits for another emergency—
                                    metallic, unthinkably heavy
                                                        drawn impossibly into the sky.

            One morning I watched three buzzards
            huddled by the road, tearing at the pink entrails of a possum
            knocked into the ditch as it scuttled through the night.

                                                Curious, bathed in blood
                                                incapable of mercy, they bowed like monks
                                                over the body.

As they tore at the animal, one fixed me
in her stare.

                                   Look here, she seemed to say.

            I wanted to conflate carrion
            and carry, to imagine an airy chariot
            ascending from the corpse.

    

A delivery truck rattled around the corner
and startled the birds into flight, where they joined the host
swirling above.

                                   Carnal, of course
                                   is the word I was looking for—


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I Was Startled It Was Death

By David O’Connell

Featured Art: Figure with Guitar II by Henry Fitch Taylor

I was startled it was death
I’d been singing all morning
under my breath, scrambling
the eggs, steeping Earl Grey
for breakfast with my wife, death
I’d been carrying like a jingle
or Top 40 chorus, its melody
infinitely catchy, insistent,
vaguely parasitic, its lyrics
surfing rhythm, slotted into
rhyme, over and over, a half
hour or more, all Saturday
ahead of us, the morning sun
shining when Julie protested
with a quick laugh, though
wincing too—no, please,
I just got that out of my head
.


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Love Song

By David O’Connell

Featured Art: Morning Haze by Leonard Ochtman

Oh, that’s right—because I’m going to die.
Sometimes I forget. More often than not.
And then, that’s right! I’m going to,
sometime. Because . . . I’m going to. Forgetting,
but only sometimes, that’s how this works
more than not. And then we wake to snow,

                              *

quite unexpected, the whole neighborhood quite,
you know. And you say to me, yes, that’s right,
cream, two sugars. Sometimes I forget. Or
these days, more often, because, you know,
that’s how this works. And now I remember
we’re going to. Both of us. And there’s the car

                              *

snowed under, looking so unlike itself. It takes
an easy faith to see it. What it truly is. I believe
this morning the whole neighborhood is a fact
refuting last night’s forecast. I’m predicting
this icicle by evening will stretch down past
the window, which reminds me—yes, that’s right,

                              *

last night, 2 or 3 a.m., I woke to the whole house
moaning in the wind. And I felt warmer beside you
surrounded by this sound, our house, and maybe
the whole neighborhood, the neighborhood houses
and the neighborhood trees all moaning. It was snowing,
but I didn’t know. Sometimes, I forget this

                              *

is how it is with us. Just as I, at times, forget
I, we, are going to, you know. They’re saying now
more is on the way by evening. It almost hurts
to look out there’s so much sun. I’m going out
to prove the car’s still here. You remind me,
yes, of course, coffee. How could I ever forget?


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Icarus

By Robert Cording

After our son died, my wife found him
in coincidences—sightings of hawks, mostly,
at the oddest of times and places, and then
in a pair of redtails that took up residence,
nesting in a larch above our barn, and how
their low, frequent sweeps just a few feet above us
before rising over our kitchen roof
made it seem as if they were looking in on us.
In a way, it all made sense, our son so at home
in high places—the edges of mountain trails,
walking on a roof, or later, after he became
a house painter, at the top of a forty-foot ladder.
So many mornings we woke to the redtails’
jolting screeches and, even if I was a casual believer,
their presence multiplied my love
for the ordinary more every day. We never thought,
of course, any of those hawks was our son—
who would ever want that?—but, once,
watching one rise and rise on a draft of air,
I thought of Icarus soaring toward the sun—
as if an old story could provide the distance
I neededwaxed and feathered, his arms winged,
and remembered a babysitter’s frantic call
to come home, immediately, after she’d found
our ten-year-old nearly forty feet up
in an oak tree. I can almost hear him again, laughing
high up in the sky, throned on a branch,
his feet dangling, knowing nothing but the promise
of heights as he waved to me—
and I must have looked very small
calling up to him, staying calm
so falsely as I pleaded with him
to come down, to come down now.


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Anachronism

By Therese Gleason

One week after
the clock in your chest
clenched and froze forever
at half past fifty,
a crow careened through the door,
grazing my temple
like a stray bullet.
In the aftermath
of shock and startle,
irony registered
bitter in my craw.
I used to think a bird
crossing the threshold
was a harbinger of death,
but by the time
this transgressor
cut a crooked line
through the living room,
our windows
were already draped
in black crepe.
The old wives,
their feathered omen
arrived late, clucked
their tongues
and rent their garments.


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Something Implausible

By Gregory Djanikian

Death in his dark cowl is testing his scythe
against the roses in my garden named Hope-to-Be.

He says there is a mountain within you
that is shifting and the river is slick with feathers
.

He says the way inward is always more frightening
than any simple migration.

Sometimes I don’t know what he means.
He is all nuance and innuendo.

Sometimes he grins, showing his lighter side
as if he’s told a once-in-a-lifetime joke.

Sometimes he makes a sad face, pursing his lips,
his fingers sliding down his cheeks like imaginary tears.

I’ve spotted him driving around the neighborhood
in his rattletrap with a cracked windshield

and a bumper sticker that says
My second car is always available!

I’ve seen him rummaging through garbage cans
picking out slices of pizza.

I’ve seen him dining at Chez Philippe
sipping mignonette sauce from an oyster shell.

When my father lay curled on his bed,
he was there, spooning him, his body being of two bodies.

Once, I found him lying by my mother, cooing,
until she woke and swatted him off with her cane.

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The Measuring

By Veronica Corpuz

Featured Art: Vintage notebook among photo cameras on table by Rachel Claire

A married life is measured:
each grain of rice, coffee bean, and tea leaf,

ice cubes crackling in a glass of water upon the nightstand,
even the pinheads of steamed broccoli,

every hour of sleep lost when the baby is born
each hour you slept in before him,

the time you say, I am going to remember this walk forever
the neon color of lichen after a long, hard winter,

how your son wobbles, falls down,
how you swoop him off the ground.

Until you walk into the Social Security office,
until you see the words printed in dot matrix—

the date your marriage begins, the date your spouse dies—
until you see what you did not know declared in writing,

then, you have new language for this feeling—
how your heart has become a singularity:

Your marriage has ended in death.


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sisters

By James Lineberger

Featured Art: Children Playing on the Beach (1884) by Mary Cassatt

As I get you down from the closet shelf
and unwrap the brown shipping paper
to the square white box inside
I lift the lid for the first time and stick my fingers
deep inside you /
What does she feel like Barbara says and I say go on
see for yourself but she shushes me
and leads the way out back
to where the creek used to run
and we just do it quickly without any words
because words are a foolish way of asking forgiveness
for these five years we’ve left you
up there stacked amid the empty shoe boxes
and children’s playthings /
But now with both hands
I swing the box like sand in a pail
and scatter you
into the overhead cave of the old Judas tree
where your tiny parts
glow for a flickering moment
like early snow /
And Barbara whispers
yes Patsy I know
still trying to find your way home again
just like the whole rest
of your life
without somebody’s arm to hold on to


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Polar Bear

By George Bilgere
Winner, Editors’ Prize in Poetry: selected by J. Allyn Rosser

Featured Art: Mounted Model of a Polar Bear from United States National Museum Photographic Laboratory

A father died heroically in some Alaskan park
while trying to save his kids from a polar bear.

Long ago, when his mother gave birth
one summer afternoon in Bakersfield, California,
could anyone have prophesied,
as in an old myth, that the baby crying
at her breast would one day be killed
and partially eaten by a polar bear?

Has anyone from Bakersfield, California been killed
and partially eaten by a polar bear? Yet her son
was. He looked up from making camp,
pitching the tent or lighting his Coleman stove,
and there it was, white and immense. His fate.

And he died heroically and was partially eaten.

Of course, the bear had to be killed. The rangers shot it,
which makes sense. You can’t have polar bears
running around in the wilderness!
The wilderness is a place for dads and kids
and Coleman stoves. Polar bears just . . .
they just kind of ruin the whole thing.

As for the bear, it didn’t die heroically.
It just got shot and fell over
and was sent to a lab for testing.


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The Arachnologist

By Benjamin Gucciardi

Featured Art: Untitled (Hourglass) by Mary Vaux Walcott

When he told me his teeth felt too heavy
to study history, I excused him.
I knew he was headed for the aqueduct,

or the boarded-up houses choked
by trumpet vine where he found them.
Martel collected spiders with the discipline of a surgeon.

He kept them in empty soda bottles
under his bed. On his way into sixth period,
he touched my fist with his fist,

announced the genus of his catch,
Latrodectus, and his total, that’s nine this week!
Through this tally of arachnids captured

in sugary plastic, we learned to trust each other
the way men on tankers far out at sea
confide reluctantly in gray rippling water.

When his best friend broke the news,
they found Martel last night, her voice quavering,
stray bullet off International,

I went to his house to adopt a spider.
I imagined the red hourglass
on the female’s abdomen emptying itself

slowly, her segmented body imprisoned
in the glow of the green-tinted bottle,
but no one was home. Now when I hear

the old women gathering cans at dawn,
half-swallowed by blue waste bins,
I think of Martel finding containers

to bring to the canyon, Martel
inspecting stones, placing his fingers
delicately around the thorax,

the eight legs angry at the morning
as he lifts the arrowhead orb weaver
toward the sun, offering

what he loved to the old, hungry light.


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Sonnet with Hound and Sequins

By Robert Thomas 

Featured Art: Yak by Mary Alice Woods, Jason Licht, and Tibetan Monks Visiting Passion Works Studio

I didn’t lose you to a matador
in flat slippers and a sequined jacket.
I didn’t lose you to a match’s glow
you followed into a hummingbird’s nest.
I didn’t lose you to Bruce or Abby,
though Bruce could bawl blues like a baying hound
and Abby danced like a leaf in a storm.
I didn’t lose you to a silent drum
or a curtain call or a summer sheen.
No, I lost you to incomparable
suave death in tights and tank top, his slick
disco two-step. While he took you for a spin
in his roadster, his red Alfa Spider,
I rode in the rain on his rumble seat.


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Birds in Cemeteries

by George Kalogeris

It must be the shade that draws them. Or else the grass.
And it seems they always alight away from their flocks,

Alone. It’s so quiet here you can’t help but hear
Their talons clink as they hop from headstone to headstone.

Their sharp, inquisitive beaks cast quizzical glances.
The lawn is mown. The gate is always open.

The names engraved on the stones, and the uplifting words
Below the names, are lapidary as ever.

But almost never even a chirp from the birds,
Let alone a wild shriek, as they perch on a tomb.

And then they fly away, looking as if
They couldn’t remember why it was they came—

But were doing what our souls are supposed to do
On the day we die, if the birds could read the words.


Originally appeared in NOR 11

Watching For You

By Connie Zumpf

Featured Art: by Callie Gibson

You’ve seen it.
That slight shudder of shadow
on the fringe of your vision.
The thing you think you might have seen
while reading Proust at night.

It slips into a crack somewhere.
You search behind the chest of drawers
and underneath the bed. There’s nothing
but a fleeting after breath
of cinnamon and mint.

You think you’ve left the music on.
Humming wafts in from the kitchen
and floorboards creak in 2/4 time
like someone sliding a tango alone.

Following footfalls, muffled steps.
You turn, the sidewalk’s empty—except
for acorns and crackled leaves, strewn
as if awaiting a late-autumn bride.

Dining alone you scan the café,
certain that someone is staring,
but there’s only a waitress checking her watch,
and a man dipping madeleines into his tea.

Then one day, while on your way
to a rendezvous so many times
dismissed, ignored, re-slated—

you spot a figure, somehow familiar,
who waits on a bench by the fountain,
tossing sandwich scraps to the birds
and patiently watching
for you,

biding time as would a beloved
who knows your entire life,
on this day when you come to Death,
who rises to greet you,
smelling of cinnamon (or is it mint?),
arms open to your approach
despite your late arrival.


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Run in such a way that you will obtain it

By Justin Danzy

like Damon did, run clear across the Gulf until the second transplant slows
you, like Dave until the glaucoma sat him down, Janice
ran to the islands to evade it but a hurricane got her, Kim never made it south
of Baltimore, and Anthony, he tried to trick it, changed his name
so it couldn’t find him though it still did, Cordia Jean turned to the bottle
instead of facing it, Beulah stayed put and dared it to come
get her, cost Fred his legs if nothing else, Howard’s eyes went and
it came quick after that, same with Virginia once her mind tapped out,
Mac tried to sue it away but that got him nowhere, P learned to sing to
try to seduce it, Cherry, she just cursed it and called it a day,
Jacques wrote his own Bible and claimed authority over it, Luck served it peach
cobbler as a peace offering, better than Brian, who turned and ran back straight
into it, did it twice actually, he looked it dead in its eye
and charged until running felt like fleeing no longer


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How It Ought to Be

By David J. Bauman

Featured Art: by Édouard Manet

When we stepped up into the bus that shuttled us
from car to hospital, she was talking to the man in
the overcoat and fedora. But at the next stop,
he stood up, tipped his hat and clambered down the steps.

Her smile made me think of plums, though barely a brush
of rouge on her cheeks. She wore a heavy, old-woman’s wrap-
around, like a blanket with buttons, tugged about her like a fur
stole. The bus lurched forward, and she turned toward the lady

two seats up. “May I ask where you got that gorgeous shawl?”
“Oh, please don’t,” the other laughed. “It’s very old. They
don’t make them anymore.” The fur-plum lady in her blanket-
coat began to recount how her gran used to wrap her

in a shawl like that, but bigger, “Half the size of a bed sheet!
My grandfather walked behind to help unwrap me when
I got to school.” I whispered in your ear, causing you to giggle.
“Is he misbehaving?” she asked you, like a scolding but

indulgent aunt. She asked us what we’d had for breakfast.
What time was our appointment? Hers were always early.
What were our plans for the holiday? Easter—still two weeks
away. “Well,” she said as she stood up, “if you’re still hungry,

come to my place. I always have plenty left over. “She drew
her massive coat around her and took the steps one at a time.
“Poor soul,” the driver said, and for a moment I wondered,
whose? “She says that kinda stuff to everyone.” He pulled

the lever that closed the door. “She lives alone.” This time, you
whisper to me, and two weeks later, we are standing
on her lawn. You carry the pies. I have the wine. The woman
in the floral shawl holds a casserole, the shuttle bus parked

at the curb. We thought we’d surprise her, but the fur-plum
lady beams like she’s expecting us as she throws the door open,
takes our jackets and hangs them by the others, rows of hats
and wraps, a fedora and an overcoat. She shows us to our seats

at a table impossibly long for her tiny home. Others in white
lab coats are unfolding extra chairs. A doctor with her stethoscope
is lighting the candles. A young man from the hospital café
helps the CEO fill glasses with sparkling water. Other
guests we recognize from shuttle rides and waiting rooms.

The table is draped—I see it now—with that grand, old shawl
of yore, adorned with salads, collard greens, and plums, of course,
scalloped potatoes, and beans of every hue. You’re smiling
like you used to as the oncologists enter with steaming platters,
boats of gravy. And the doorbell just keeps ringing.


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The Pasture Ponds

By John Bargowski

Featured Art by Kieran Osborn

You know the spot, that sharp left
off the county road to Hope

that passes the roadside shrine her
classmates built to our youngest,

the blank stones that mark the old
Presbyterian graveyard,

then on past the last rusted knob
of safety rail

where a graveled lane cuts through
swampy woods.

The pair of wood drake decoys
Hubert anchored to the bottom

riding out every weather on the big pond,
the splotch of white on their sides

that catches in our high beams
as we round the curve.

The twiggy wrack of alder and sumac
clipping the sideviews

as we pass through streaks of moonlight
burnishing the shields

on the skeletoned ruins of our friend’s
red Massey Ferg.

A place we’ve gone to many times
trying to nudge the season ahead,

we crack open the side window, crank
the heater up a couple notches,

sit with the lights clicked shut, side
by side in the front seat,

strain for the first callers crawled free
from March mud, the hyla crucifer,

no bigger than a fingertip, noted in our
dog-eared Peterson’s for shrill voices

that rise then fall, and those dark little crosses
they carry on their backs.


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Tackle

By John Bargowski

Featured Art: by Teerasak Anantanon

Weeks after the cops cut Bill down
and the squad sheeted his body,

bore it out to the street, his mother
leaned over her sill and called us

upstairs to share the flies he’d wrapped
and knotted, labeled

with names we could never
have dreamed up, and arranged

in small wooden boxes next to coils
of tapered leader and packs

of hooks barbed along their shanks,
the button-down shirts

and bank teller suits in his closet
screeched and swayed

on their hangers when she elbowed
her way in for the split bamboo pole

he’d hand-rubbed to a gloss
and mounted with a reel cranked

full of line, nothing we could ever use
when we biked down

to the Hudson piers and bait-fished
for river eels and tommycod,

but we took it all, every piece
of tackle we could carry down

to the stoop to divvy up among us—
his canvas vest, his shoulder bag,

spools of waxed line, the bamboo poles,
his hip waders and creel,

and those boxes of flies—
the Zebra Midge and Gray Ghost,

his Black Woolly Bugger,
Pale Morning Dun.


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Knife and Salt

By Justin Hunt

Featured Art: by Markus Spiske

At sundown, we sit at our garden’s edge,
speak of thinkers and their theories—

what’s real, if something follows
this life, the ways of knowing

the little we know. An owl swoops
the creek below, swift as death. I shift

in my lawn chair, pick at my knee—
an old wound I won’t let heal.

Do you wonder, I ask, if Descartes
ever said, I feel pain, therefore I am?

You sigh, run your eyes to a remnant
of light in the oak above—as if,

in your drift, you could re-enter the time
of our son, inhale his dusky scent.

I honor your silence. But what I feel,
what I know, what I want to say is,

we have no choice but to watch
September settle on our garden.

And look! All these tomatoes
that cling to withered vines—blushes

of green and carmine, waxen wines
and yellows, the swollen heirlooms.

When the next one falls, my love,
I’ll pick it up, fetch us a knife and salt.


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Final Visitation

By Dan Albergotti

Featured Art: by Paul Gauguin

After talking with him for thirty minutes,
as he lay cocooned in a thin wool blanket,
I told my father I had to head back to Conway.

He turned his ashen head a bit and said, Conway . . .
that’s where my son lives. I met my sister’s eyes
before fixing his in mine to say, Father, I am your son.

His eyes widened in that way that makes
us say, You look like you’ve seen a ghost,
or as if he’d found himself the quarry of a hunt.

I touched his hand before I left to show him
I was real. I think I could have walked through walls
to get to my car, so grateful was I to be that ghost.


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Donovan

By Susan Browne

Featured Art: by Carol M Highsmith

I walk down my neighborhood street called mountain
although there is no mountain     only rolling hills
although hills don’t really roll        & as I look
at a window display of shoes & pass by the candy store
a gasp happens in my head    a quake in my heart     they aren’t
here      my father who loved sweets
my mother who loved shoes    & the sun shines
on a world of orphans      I quake along mountain street
like a rolling gasp although if someone asked
how are you I’d say fine      like most of us are
& aren’t       I thought sadness was a prison
but it connects us & if a chain it should be
one of tenderness     my father died
two years ago although sometimes I say a year
a way of keeping him closer      can’t do that
anymore with my mother      need math on paper      the ache
woven into each leaf although there are birds & nests
we live in a tsunami     waves of being & non-being
but I’m no philosopher standing at the counter buying
bunion pads     feeling drowned & drying
under fluorescent lights & warmed by the smile
of the clerk who blesses me with have a great day as I go out
to mountainless mountain & remember donovan’s song
playing in my parents’ house in the sixties      first there is
a mountain then there is no mountain then there is


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Hilltop Cemetery

The poem, “Hilltop Cemetery” by Brendan Cooney, originally appeared in NOR 22. It became the inspiration for this short film, by Bridie Jackson.


Sunday at the Mall

By Tony Hoagland

Featured Art: Crouching Woman by Ferdinand Victor Eugene Delacroix

Sweetheart, if I suddenly flop over in the mall one afternoon
while taking my old-person-style exercise
and my teeth are chattering like castanets,
and my skull is going nok nonk nok on the terra cotta tiles
                                       of the well-swept mall floor;

my tongue stuck out, my eyes rolled up in my head—
Don’t worry, baby, we knew this kind of excitement
might possibly occur,
and that’s not me in there anyway—

I’m already flying backwards, high and fast
into the big arcades and spaces of my green life
where I made and gave away and traded sentences with people I loved
that made us all laugh and rise up in
unpredictable torrents of fuchsia.

Dial 911, or crouch down by the body if you want—
but sweetheart, the main point I’m making here is:
don’t worry don’t worry don’t worry:

Those wild birds will never be returning
to any roost in this world.
They’re loose, and gone, and free as oxygen.

Don’t despair there, under the frosted glass skylight,
in front of the Ethiopian restaurant
with the going-out-of-business sign.

Because sweetheart, this life
is a born escape artist,
a migrating fever,
a convict tattooed in invisible ink,
without mercy or nostalgia.

It came down to eat a lot of red licorice
and to adore you imperfectly,
and to stare at the big silent moon
as hard as it could,

then to swoop out just before closing time
right under the arm of the security guard
who pulls down the big metal grate
and snaps shut the lock in its hasp

as if it, or he, could ever imagine
anything that could prevent anything.


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Learning Swedish in Secret as a Joke

By Bobbie Jean Huff

Featured Art: Breton Girls Dancing Pont Aven by Paul Gauguin

All this passing on going on, almost
as if it were contagious. Words you’ve recently learned
spill easily from your lips:
Wenckebach, biliary, Cetuximab, granuloma,
the new bright colors of life. Just when
you were getting bored with the
pinks, purples, and greens on offer
for almost seven decades,

you’d happily now trade blasts and plasma cells for
brown or black or tan. But as surely
and hard as you know how many platelets it takes
to sustain life, you know that
more new words will show up soon.
Months ago you learned that “consistent with” means
you have it, and, last week, that “refractory” means
the treatment has quit working.

Now that you realize you’ll never learn Swedish,
in secret and as a joke
(to surprise your daughter-in-law with at dinner time),
you understand it’s not that you’re running out of
brain cells,
you’re running out of time.
You can’t learn sjuka and middag while you’re learning
leukopenia and transampullary.

You never expected this.
You never thought it would come to this!
(That’s the funny part. Has it ever not been there?)
Wake up and
you will see it even now,
gliding merrily in your direction,
not even bothering to look you in the eye,
as if you are the last thing on its mind—and if

you squint you will notice it gather a little speed
(the teensiest of fuck-you’s),
like a sailboat in languid waters
a moment after the wind has shifted.


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You Are My Sunshine

By Bobbie Jean Huff

Let me begin by offering my condolences, I said,
holding out my hand. She shook out her umbrella
and placed it open, just beside the altar. They thought
it was an ulcer, she said. They gave him some tablets.
Did he have any special requests? I asked. Favorite
hymns? Or something for Communion, like maybe
Water Music? He was worse by Christmas, she said.
He couldn’t manage the pumpkin pie. He always loved
my pumpkin pie. The King of Love is nice, I said. I
opened the book to page 64. As an alternate to Crimond,
you know. Most people don’t recognize it as the 23rd
Psalm. In January his feet turned black, she said. Toe by
toe. It took exactly ten days. The shadow of a branch
moved slowly back and forth behind the stained glass.
I thought: When I get home I’ll check my toes. Will
there be Communion? I asked, finally.

The last three days he started to hiccup, she said.
He wouldn’t take any water. It never stopped, the
hiccupping. Not once, not one minute until he went. I
could play Pachelbel’s Canon. That’s very popular now.
There’s no reason it can’t work at funerals as well as
weddings. At the very end, she said—then stopped, her
eyes squeezed shut behind her glasses—as if the
rejected water, each wretched hiccup, and every
blackened toe formed a chain she could use to haul
herself back to September, when she would claim
him, finally whole again.
She reached for her umbrella and frowned. Play
what you like, she said. He was never fond of music.
Not hymns, anyhow. Only once in fifty-three years
did I catch him singing. You are My Sunshine, I
believe it was.


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Spring

By Lauren Shapiro

Featured Art: The Cock Sparrow by George Edwards

The nice teachers at the kindergarten open house
point out the Unifix cubes and color game;
they are professional in their analysis of play. Later
at Lainy’s party the operators of Jump ’N Bounce
just look away while the kids wrestle into an idyllic
sense of self. A mother tells me, hushed, how
one November morning Jason’s father parked the car
and blew his head off. Then it’s time for cake.
The kids are sweaty, tumbling over each other
for a spot at the table. I search Jason’s face
for a sign, a scar, but don’t find it—he’s waving
a noisemaker in Sean’s face, his mother chatting
pleasantly in the corner. Cue the birthday music.
Next day, we’re late, and I walk my distressed son
into school. “We might miss the eggs hatching!” he yells,
bounding down the stairs. The class is huddled
around the incubator, the glow from the heat lamp
flushing their faces. This must be a rite of passage,
watching a chick’s birth surrounded by friends.
It’s on the docket, tailored to the lesson plan, deemed
developmentally appropriate. It’s March, after all,
when the world glosses over its losses.


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Mailing a Letter

By Dawn Davies

Featured Art: Evocation of Roussel by Odilon Redon

The letter came back from the post office so mangled
it was as if the mailman had plucked it out of my box
before being jumped by a clot of street thugs.
Then, still carrying his mail bag, stumbled into a bar
because it was the third time this year that he’d gotten jumped
in my neighborhood, and why do guys gotta pick on him
just because he’s short (under five-six don’t make a man,
his father always said). Then drank scotch and soda
until the bartender made him stop, walked the dimming
summer streets in search of his truck, slept in a doorway,
woke up and vomited into his mailbag, found his truck
and skulked home to his wife, who had sent all four children
to the neighbors and was waiting up in yesterday’s clothes,
with a suitcase and a left hook brewing. Because she hated
the late hours the USPS forced him to carry, and by “late hours”
they both know she meant his cheating with the tiny
Castilian woman two zip codes over, and this thought
that poisoned her days now propelled her to stomp on his mailbag
and kick it off the porch for all that the mailbag stood for:
the overtime, the philandering, the childless Castilian
with the twenty-two inch waist. But then when she saw his face
with his eyebrows tipped and sorry, and she knew
that he hadn’t been sneaking around, but had gotten into trouble,
she sat him down, fed him coffee, and washed his wounds
before sending him back out for his morning shift,
because they both needed him to keep this job
(there was a pension attached, she had secretly started divorce
proceedings, was hungry for the alimony).
And so he got back to work and wiped off the fouled, wretched
letters in his bag, feeding them through the system
before getting called into the supervisor’s, and because
the letter was wet, it got mangled in the maw of a sorting machine,
the address smeared and clotty, the stamp curled and dystonic,
and three weeks later, once the mailman was off probation,
the letter came back to him, smelling like machine oil and vomit,
clawed and shredded, stamped “Return to Sender,”
and he shoved it back in my mailbox with bite marks
from the beast that had mauled it, this letter to my father
on his deathbed, explaining why I wouldn’t be going to see him.


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If Your Spouse Dies First

By Stephanie Johnson

Featured Art: Lady Lilith by Dante Rossetti

Option One

              Move to a different country.
              Take a new spouse.
              Make beautiful different-country babies
              with soft, different-country hair

and only speak your old-country language
late at night in between dreams.
Your new husband will ask the following morning
who this person is; you keep repeating his name.

              Oh, you say, in your new language.
              Don’t worry about it. Just an old friend.

Option Two

Build a house. Bake your late spouse’s remains
into the walls. Like the spectrophiliac Amethyst Realm,
feel paranormal hands on your legs and back
as you rub yourself on the corners of the foyer.

              Moan the name
              your ears haven’t heard
              since you reopened the coffin
              and saw silver bones.

Option Three

              Meet a woman with dark hair
              and patience longer than yours.
              Tell her a lie:
              you’ve never done this before.

                             She’ll grin and say, “Sure you haven’t.”
                            Later, in her shower, pressed against
                            the pink tile wall, you can’t help but notice
                            she uses his same shampoo.

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My Father Visits Not Long After My Mother (His Wife Twenty Years Ago) Dies

By Brock Guthrie

Featured Art: by Paul Gavarni

My father’s in town for a quick couple days
and it’s early morning and not much to do

and he needs some smokes and I need
a few things from Lowe’s. We walk to my car

and he says, “Man, you need a car wash,”
and I say, “Yeah, I’ve just been so busy,”

which isn’t really untrue, but I tell him
there’s a place on the way. We get in my car

and he says, “Go to McDonald’s, I’ll buy,”
and we wait in the drive-thru and he says,

“You need a vacuum too,” and I don’t reply
because the food is ready. I pass him his

Egg McMuffin and drive down the road,
carefully unwrapping my breakfast burrito,

and this commercial I’ve heard a dozen times
comes on the radio, some guy with a nasally

New York accent, but only now do I gather
it’s an advertisement for snoring remedies.

My father says, “If there are two vacuum hoses,
I can do one side and you can do the other.”

We drive past strip malls. I wave vaguely
toward a Mexican restaurant I kind of like

but I can’t think of what I want to say about it,
so I kind of mumble and my father does too

except his is more reply, like, “Is that right?”
The car wash kiosk has eight confusing options.

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My Babysitter Karen B Who Was Sent to Willard Asylum

Winner, New Ohio Review Poetry Contest
selected by Kevin Prufer

By Jessica Cuello

There are only two photos of me as a child.
She took them, she had no child.

She had Kool Cigarettes and a job at the drugstore.
She gave me the Crayola box with the built-in sharpener.

Four hundred suitcases were stored in the attic
of Willard Asylum for the Chronic Insane.

She joined her twin brother there.
She wore her black hair down.

A child could admire it.
She bought me an Easter basket,

a stuffed rabbit whose fur rubbed off.
She walked everywhere.

She painted circles of blush on her cheeks.
Loony, people said so,

I mean grown-ups who saw signs
who passed her on our street before she

started to call and say Remember,
on the phone she said Remember,

Remember the date we killed her brother,
forgetting he’d been committed.

I took her hand and tagged along like an animal.
She was perfect to a child.

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Near the Campo Aponal, on My Father’s Birthday

By David Brendan Hopes

Featured Art: A Rocky Coast by William Trost Richards

De Sandro’s café with the orange tablecloths
wades into the one stone street
without tourists, all the Venetians pushing
their big delivery carts at first of morning.
From what I understand of it,
the shouting is voluble,
happy, glad to be alive, almost never
without reference to anatomy.

Nine years after your death it is still your birthday.
I’m treating you to cappuccino and showing off
my lacework of Italian.
Ecco, I cry, pointing to the beautiful faces,
the beautiful things.

Everything was outlandish to you. Nothing is to me.
In that way balance is achieved across the long years.

But I think you would like these people.
They would pull out the orange chairs, sit down,
listen to what you have to say. You would be old
and wise in a city old and wise, and that would be
enough.

I’d better think of something else before the mood
turns heavy and hard to carry over the Rialto Bridge
with the shops just opening.
All those selfie-taking children,
all that brightness bearing down.

Happy birthday, I want to say,
from the last place on earth, where the earth dissolves
and the crazy towers lean out over
watching for what comes—sinuous, flowing,
unexpected—next.


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The Problem

By Grant Clauser

Featured Art: Sketch for Beach Scene by Joaquín Sorolla y Bastida

The town decided
that blowing up the body
was the best way to move it,
but the only explosives expert
was a groundskeeper
who’d planted mines in the war.
Still, people set up beach chairs
and umbrellas on the dune
to watch. When it blew,
slabs the size of picnic tables
crushed cars a quarter mile away.
One man was killed by a bone shard
through the heart.
Another still walks with a limp
from the impact of blubber.

For days the town pretended
this had all been the plan, everything
was good, but then under cover
of night, we rented front loaders
from the neighboring towns,
buried what we could and burned
the rest in smoky mounds
that choked us when the wind
blew in from the ocean.
The beach was unusable all summer.


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Gentleman Caller

By Elton Glaser 

So this is death come walking, looking mighty fine,
Him with a firm stride and a dragon-headed cane,
Dandy with diamonds in his smile, all howdy-do
And sweet potato pie, him strutting right up
To your own front door, that big stick knocking
On the frame and tapping his spats, making
The neighbors stare and the dogs back down,
Him idling under the hum of the porch light,
Spreading his shine wherever he pleases, sounding
A little cocky when he calls your name—

And what’s your mama gonna do about that?


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Laundry

By Robert Cording

Featured Art: The Bathing Hour, Chester, Nova Scotia by William James Glackens

This morning, doing the laundry,
smoothing collars and shirt plackets
before placing it all in the dryer,
I saw the ghost of my recently dead mother,
her red-capillaried face looking on
approvingly in the steam.

I didn’t expect to see her,
and some of this must be pretend,
but she was there, making a place for herself
over by the baskets, in the light
that fell through the windows
at an angle that never seemed to change.

We got to talking—who doesn’t want
to talk with the dead again
when it’s morning and mostly sunny?—
about the telephone pole in our old backyard,
and the sound of the pulleys and ropes
that carried the wash in and out.

I was lingering over the way a drying sheet
took in a breeze and released it
as if it were breathing,
but my mother chattered away non-stop,
moving as she always did, from topic
to topic without transition,

only pausing here and there to punctuate
with one of her sayings—
Doing the wash makes you happy.
It says you can begin again.
And unlike when she was alive
that seemed true. As the light’s angle

sharpened, none of our mistakes,
our fights or failures, the old
argument about Dad—or even
the ridiculous, proper way
to fold a bottom sheet—held us back
as we finished the first load of darks.

And by the time she held a shirt
by the shoulders, folded it in thirds,
then flipped the bottom half under the top
and laid it in the pile for the living,
I was whistling, caught up entirely
in the rhythm and pace of our task.


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At Milward Funeral Home, Lexington, KY

By Jeff Worley

Featured Art: Bloemenzee by Theo van Hoytema

Someone has to identify the body.
The funeral facilitator, Jeanne,
gestures me into the room and clicks
the door shut behind me.

You finally got your wish,
I say to my mother.
She’s wearing a shade of lipstick
that unbecomes her, a subtle peach
she would have hated. Her face
is her face and of course is not,
her hair parted in the middle,
a new look. Her hands, composed
across her sternum, are the color
of parchment, skin thin as vellum.

I don’t stroke her arm. I don’t kiss
her forehead, as I thought I would.
Instead, I wonder, oddly, if the funeral
people use the same gorgeous quilt
that covers my mother now,
with its sunbursts and bluebirds,
for everybody.

When I think I have stayed long enough,
Brahms trailing off in the corners,
Jeanne is sitting outside the door,
her long fingers forming a steeple.
I want to say to her I have no idea
who that is, I’m sorry, but levity
isn’t encouraged here. Although
I would only be speaking the truth:
Alzheimer’s riddled her brain
and sucked the marrow from her spirit;
she became a stranger and a stranger
to herself. What else was there to do
but believe along with her that Hoss
and his Bonanza brothers were indeed
aliens from another planet, that Pat Sajak
was “in on it,” along with everyone else
who came and went in Mom’s room,
stealing her clothes, her makeup,
the nursing home grand conspiracy . . .

I’m sorry it’s taking me so long,
Mom said in a rare lucid moment
last week, and I had nothing to say,
and I tugged the blanket snugly
under her chin, and I handed her
the plastic cup full of water which
she waved away.


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There Was a Young Woman With Cancer

By Susan Blackwell Ramsey

Featured Art: In the Spirit of Hoffmann by Paul Klee

With each remission she’d take it up again,
her search for proof her great love Edward Lear
was influenced by the Irish poet Mangan,
and while we weeded she would bend my ear
with her latest evidence: an owl here,
elsewhere a pussycat or a beard, a wren.
I was polite, but it was pretty thin.
There was one word, though,
some nonsense confabulation that occurred
in Mangan first, so odd that it could not
be accident. Then cancer, like a weed
we’d missed, some snapped-off root or dormant seed.
The last cure killed her. I would give a lot
to be able to recall that word.


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