Trick of the Light

By Jessica Jo Staricka
Featured Art: “Nope” by Alex Brice

One night twenty years later, among cardboard boxes fuzzy with dust in the basement of my mom’s final house, I find a tennis racket. I’m puzzled. We never played tennis. Maybe the racket was trash left behind by a previous renter that we accidentally packed and brought with us on one of our many moves. Maybe Gladys and I begged a dollar off our mom to buy it at a garage sale and made up our own game pitching pinecones to each other in one of the back yards. 

But when I pick it up, its exact heft and balance rush me out of this basement and twenty years back, to the perfume of white pines and the prick of their needles through the holes in my sneakers, to the gravel yards and dandelion lawns and empty horse corrals and collapsing barns of the half-dozen ramshackle farmhouses we rented growing up, to their living rooms on summer nights, where Twins games played on TV, where I tinkered with salvaged arts and crafts, where my sister Gladys played an out-of-tune piano if the house happened to come with one, and where a bat appeared in the corner of the ceiling. 

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Mothers in the World Above and Below

By Abby Horowitz

Featured Art: “Persona-03” by Mateo Galvano

Your mother haunts the hardest; that’s what Selah’s told whenever she starts to whine: why hasn’t she come yet to pick me up?

Her mother haunts the hardest, so Selah is at the care center the whole day long, so long that Ms. Drae takes pity on her and gives her second servings of afternoon snack. The other kids trail after their parents up to the parking lot and off to home and there’s Selah again, all alone in a playground full of nobody, or at least nobody that she can see isn’t it possible that she’s got her own ghosts? Oh, get out of your head and get onto those swings, Ms. Drae tells her; then her eyes sink back down to her phone.

Selah swings, she jumps, she slides. Lady-like, please, Ms. Drae calls when Selah’s robe slips up by her thighs, but Selah ignores her. Let the world see her underwear; if only there were someone to look. She takes a clump of dirt and rubs it onto her leg. Look! she says, running up to Ms. Drae, A bruise! But Ms. Drae only rolls her eyes and shoos her away rather than tell her (again) what of course she already knows: you can’t have bruises if you don’t have blood.

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Ground Control

By Lesa Hastings

Everyone has to start somewhere. I began as a child stalker, or rather an accomplice to my mom’s propensity for stalking.

We first saw the man we called “Tony 86” parked in the dirt lot rest stop adjacent to the motel my dad would go to after fighting with my mom. After he left us, it became the meeting point for my parents to exchange me and my brother for the occasional weekend. Mom called it a fleabag motel for lowlifes.

“Late as usual,” Mom said. Dad was late enough I wondered if he was actually coming. He was late a lot, but this time he was really late. I’d never stayed in a motel before and made up stories about the people we’d see coming and going while waiting for Dad. Minutes passed as I watched a couple argue on the second-floor balcony, then embrace in a farewell, the woman walking away with the man holding her hand as long as her arm would stretch, until she moved out of reach. Mom had stopped nagging about Dad being late, distracted by something.

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A Peacock on Niner Hill

By Jennifer Schomburg Kanke

Featured Art by Debbie Norton

The union was strong, but not strong enough to make Detroit Steel keep a dying man on the payroll. John shouldn’t have known this, but he often overheard his parents talking in the room beneath him until late in the evening. He was a respectful boy and was never trying to eavesdrop, but in a house that’s small with heating vents that weren’t so much vents as just holes in the floor (or ceiling, depending on your perception), there wasn’t much of a way to avoid it. He knew the other men at the mill were keeping an eye on his father, Bernard. They were propping him up at his station and bringing him water and coffee throughout the day, whatever he needed to keep him going. “I don’t know why they do it, I don’t need no special treatment,” his father complained to his mother at least once a week. But he still hopped in the car of whoever showed up for him in the morning, usually Jay Mingus’s dad Jimmy who had a 1947 Studebaker with a long front hood and wild wrap-around back window. The fathers of most of John’s friends had older cars like that, bought when they first returned from the war and were fresh hires at the mill. Some bought new ones every few years, like Joseph’s dad who bought a 1957 Buick a few months back even though his old one, which Joseph’s mom had now, was only three years old. The Bondurant’s didn’t even have one car, let alone two. His father always told John it was because he liked to walk to work and couldn’t imagine missing out on the fresh New Boston air, which John assumed was a joke like when he told him his Purple Heart was from getting stabbed with a fork in the chow line. No one, not even John, who loved his town with a ferocity rivaled only by his love for Roy Rogers, would describe the air of their town as fresh. 

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Flying Objects

By Daryl Ogden

My mother and I were driving home at dusk on a two-lane country highway following one of our visits to the fire station where her newish boyfriend was posted. It was Memorial Day, a couple of months ahead of my eleventh birthday. A pair of vehicles were bearing down on us, their headlights filling up the rear and side view mirrors of our Toyota. The trailing drivers had already twice veered over the center line and gunned their engines, with ambitions of sling-shotting past. My mother responded by pressing hard on the accelerator, threatening a head on collision from traffic traveling in the opposite lane. Even though an 18-wheeler was now headed our direction a few hundred yards in the distance, both trailing vehicles tried again to pass. My mother floored it, forcing the drivers back into our lane or risk being entombed within thousand-pound accordions.

“They’ll have to wait until I’m ready for them to drive on by, Billy.”

On the road, my mother didn’t take any crap.

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Coins

By Lorenza Starace

Featured Art: Polar Chroma Butterfly by John Sabraw

She is born too early. The c-section was scheduled for July, but the last ultrasound shows that something isn’t quite right, the baby’s heartbeat is slightly off, and one morning in June a girl is forced into life in a hospital close to the sea. The black-haired baby who is given to the parents once the mother wakes up from the anesthesia has a high, large forehead that seems to compress the rest of her face down to the chin. The mother almost feels the need to stretch it out, to pull the girl’s neck as to give her face more room to accommodate all of that flesh. Laughing, and yet embarrassed, the mother tells the dad, She’s quite ugly, isn’t she? He chuckles, and nods. To be ashamed of what they are not meant to notice is a feeling that accompanies them for the rest of June, for most of the girl’s childhood.

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12th and McGraw

By Hillary Behrman

Featured Art: Epidermis, by John Schriner

I moved fast always hoping to slip into the house and up to my room unnoticed. I made it to the first landing of the wide staircase before I heard the pop pop and grind and looked up. My little brother, Alex, was perched above me, kneeling on the long cushioned window seat. His chicken-wing shoulder blades stuck out on either side of his old fashioned undershirt. The afternoon light, filtered through the two-story stained glass window, hit his pale skin and formed a glowing checkerboard of red, yellow and green patches all across the back of his shorn head and bent neck. He gripped the plastic handle of a large Phillips-head screwdriver with both hands, pumping it like a tiny jackhammer straight out from his concave chest, shattering square after square of swirly rainbow glass. He must have been at it for a while, because by the time I reached him the first three rows of bread-slice sized panes were gone.

My brother was a watchful, wary sort of kid, circumspect in all his actions by the age of six in a way I still can’t manage in my thirties. I gave him a quick once over. I didn’t see any blood, so I left him to it. The snap crackle pop of each new shattered pane followed me up the stairs to the next landing and down the long hallway to my room. I wasn’t an idiot or monster. I was fourteen. I got it, Alex’s desire to expose that house to the elements, chip away at its candy colored Victorian shell.

I kept listening until the sounds of Alex’s demolition project stopped. The silence freaked me out way more than his vandalism. I don’t know why. I should have been thinking about broken glass and the paper-thin flesh on the undersides of his skinny wrists all along. But I wasn’t. He had seemed so preternaturally competent back then. I don’t know why I finally had the sense to sprint back down the hall. Alex was curled up on the window seat, his cheek pressed into bits of colored glass. I don’t know why there wasn’t more blood, why the cuts weren’t deeper. I scooped him up and carried him up the stairs.  He stayed limp and floppy until I reached the third floor, where he wrapped his legs tight around my waist.

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Carousel

By Michael Henson

The Boy had decided, finally, enough was enough. He and his sister were running away. They were with their third set of foster people since the County took them away and these were the worst yet. The parents were weird and the children were mean and Sissy cried herself to sleep every night. Read More

Soda Money

By Emily Johns-O’Leary

Featured Art: Little Walter’s Toys, 1912 by August Macke

Edison was allowed to spend one-third of his monthly spending money on manatee merchandise, but it usually came to about half. His mother was a marine biologist, and Edison had seen a photograph in one of her magazines when he was six and couldn’t stop looking at the manatee’s bloated snout and flippers like gray oven mitts pinned to the balloon of its body. He was thirty-one now and bought his own nature magazines to look for more pictures, more patient expressions on the floating creatures. Their eyes seemed to want to listen only to him.

He woke early on a Thursday worried about his spending money. He moved Harold’s plush tail and found his phone beneath an umbrella his father had given him. Edison paused to close and open the umbrella, watching the manatee’s face crumple and smooth. Ten years earlier, when his parents said he should have more independence, when his case manager found a retired woman on the other side of San Diego whose client with special needs had moved out of her basement room, they encouraged him not to decorate the walls like his childhood bedroom. “You’re grown up now, Eddy,” his mother said, and his father—so rarely in the same room as his mother and stepdad— nodded and squeezed his shoulder. But Edison had been up all night thinking about moving out of his parents’ house, just like his high school classmates. He was certainly going to decorate the room with manatees.

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Melbourne Beach

By Bo Lewis

Featured Art: Second Beach, Newport, c. 1878-80 by Worthington Whittredge 

Coach West had just finished grilling the dogs and we were all standing in line, going crazy with hunger. We’d had nothing but concession stand sno-cones after the doubleheader, and we were ready to eat our weight in barbecue. Rudy and I were going to do an experiment to see which tasted better on dogs—onions or relish. I was going to blindfold myself with my ballcap and Rudy was going to feed me one bite of each until I discovered the answer.

But Dad’s hatchback came skidding across the gravel toward the pavilion, a long dust cloud rising up behind it like the tail of a dragon, and I knew something was about to happen. The door popped open and his hand shot down to the gravel like a kickstand as he got out of the car. He left it running and didn’t shut the door behind him.

Coach West set down his tongs and gave Rudy’s father a look. They hopped off the pavilion deck and went to greet Dad. Marcellus’s mother, our Team Mom, took over at the grill, speaking loudly and brightly, asking what everybody was doing for summer now that we were done with the third grade.

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Flight Lessons

By Barbara Ganley

Featured Art: “Holy Holy Holy” by Yan Sun

Because it’s Thursday, nearing five o’clock, Lucie is well into a doozie of a headache. Every week at this time little Jenny Baker hands her one as they sit side by side in the dining room and Jenny busily tortures the piano. She’s a narrow slip of a thing with a distracting, gum-baring smile made stranger today by a drift of tiny metallic stars sweeping across her cheeks like cosmic freckles.

Her orange high tops smack the stool’s taloned feet bapbap as she bludgeons the keys in an apparent heavy-metal version of “Long Long Ago.”

The piano, old and patient, takes it. Lucie, who is neither of those things, says, “A bit slower and softer now. See if you can find the melancholy.”

She uses her hands to play a phantom keyboard floating in the air. She must look ridiculous. “Sing the words if you like. I find that helps.” She is ridiculous.

Jenny, clearly having the same thought, grins at the keys, speeds up and hammers away. She doesn’t sing. She never sings.

What ten-year-old doesn’t sing?

But of course Lucie is confusing children with birds, Jenny with Bacchus, her grandfather’s sidekick and belter of sea shanty and Broadway schmaltz. Since moving back home, she has learned far more about thirty-year-old African grey parrots than about ten-year-old humans. Prefers them, too, if truth be told, even if they do bite. Lucie understands that people would find that small of her. But this ten-year-old human next to her couldn’t care less. A look of near madness flashes across the girl’s starry face. Her thin hair switches about her neck like an agitated tail. She’s seeing herself onstage, adoring fans at her feet. Next she’ll be peeling the stars from her face and tossing them to the crowd.

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Special Days

By Scott Koenig

It’s so bright even though the blinds are closed. Streaks of white light gash the wall. The wall Dad painted blue last month. Your favorite color is red but you like blue, too. There’s the humming of lawnmowers in the distance. Open those blinds.

Out there it’s green everywhere.  Up above, it’s blue. There’s a white car in your driveway, too. Not our car, you think. Whose car is that. Green grass down here, around the strange little white car, and blue sky up there. The colors are so pure it kind of hurts.  It’s nice, though. Do your eyes hurt? You could open the window to smell the grass but Dad got mad last time. Up on the hill where green turns into blue are big brown houses. If you squint they look like blobs of oatmeal raisin cookie dough when Mom lines them up on a baking sheet. And between the houses are thin lanes of grass where the older kids go sledding on snow days. The older kids with the colorful backpacks and the best Pokemon cards. Andy said one of the Meyer boys had three holographic Charizards. There’s no way. You aren’t allowed to go sledding on the hill yet. You just got allowed to ride your bike up to the black mailbox. The green mailbox after that is too high, too far up the hill, too dangerous, Mom always says. You know you can do it but you aren’t allowed.  But soon you’ll be allowed to go all the way up – to the top of the hill. Then back down super fast into the coldy sack. Like how the older kids do.

The man across the street is bent over by a bush, the man whose house is white and black and pointy and looks like a castle. He’s bent over by a bush using those big shiny scissors. The scary ones. The kind Dad uses a lot. Is Dad outside?  Look down into your part of the green.  Dad isn’t in your part of the green yet. Maybe later. There’s still the humming. Humming is an outside activity, Mom always says. Sometimes she hums but she does it quieter than you. And mostly outside. Her humming is nicer than lawnmower humming. Especially because when there’s a bunch of different lawnmowers all at once it sounds like buzzing. Like bugs, kind of.

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Slutty Rush

By Frankie Barnet

All throughout my girlhood it was my primary ambition to be as dumb as possible. My father was a professor of mathematics who attempted to teach me algebra at age nine and preached discipline and rationality above all else. My mother was a reform Hutterite who cut her own hair. He once bought her a Costco membership for Christmas and she went only once, finding the experience gluttonous.

I had a best friend in this youth, a girl named Kelly who lived down the block. At her home I tried many foods for the first time: sushi, avocado, specialty cheese. I once saw her parents dancing without any music playing on my way to the bathroom while she and I watched It Takes Two in the basement.

Yet still, despite these differences in our home lives, Kelly shared my dream: to be weightless from a lack of knowledge. To float up and up and up. Away and free.

Our favorite thing to do together was to play a game in which we imitated two girls from our grade at school who were so dumb it was impossible. Their names were Stacey and Sasha. In addition to being idiots they were also sluts, a not uncommon pairing Kelly and I both coveted. “Like, totally,” we’d say, pretending to be them. “Like, oh my gaaaawd.” “Like, like, literally like.”

During the summer between ninth and tenth grade, Kelly and I walked through the river valley playing our game (“So oh my God, what did you, like, do last night?” “So I like literally boned Matt G. soooo bad!”) when we spotted an injured rabbit just off the path and decided to pick it up. Dumb, right? Just the kind of thing we, as them, loved to do.

“He could be, like, our baby.”

“Let’s take him home, like, literally.”

“Oh my God, because I’m pregnant, like, from boning all the time.”

“Totally pregnant, and I don’t literally know who did it to me.”

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Bodies That Drift in the River Flow

By Scott Gould

Featured Art: by Oscar Bluemner

Sometimes you know things before you know things. Mrs. Tisdale comes to the door, and I know something is wrong. I know. From the top bunk of my bed, I watch her coming up the sidewalk, walking fast but walking like a woman who is already lost, her skirt moving quickly around her, like a wave to anyone who spies through the window.

I know the doorbell won’t ring. She is not a bell person. She is too good a friend of my mother’s to announce herself that way. She knocks once and opens the door. What she doesn’t know is the bell doesn’t work anyway. It is shorted out somewhere along its line and my father has never pulled the wires and traced down them to find the problem. I hear Mrs. Tisdale’s voice flow up the staircase, so faint I can barely make it out, strained and pitched higher than normal. Her voice sounds like an animal she is trying to keep on a leash, trying to make it heel. Because her voice wants to run away from her. I hear my mother fall back on her nurse’s voice, that healing tone. I climb off the top bunk and move closer to the doorway.

“Now, Roberta, we shouldn’t jump to conclusions,” my mother says. “Let’s not worry until we have something to worry about.”

“Something’s gone wrong,” Mrs. Tisdale says. “I feel it.”

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Sneakers

By Patrick Crerand

Featured Art: ‘blue sneakers’

My father never exercised. He chased me upstairs after a fresh word at the dinner table once or twice—quick sprints that ended with a face-slap photo finish—but no trips to the gym, hardly even a ball game on TV. On weekends, he wore sneakers—not tennis shoes—always sneakers, as if that’s what one did to hide silently from the world of sport.

But that day—my sixth birthday—after he made the cake and gave me the Frisbee, he said to my surprise, “Let’s see if it spins.” I was out the door in the backyard before he had laced up the first shoe. Neither one of us was very good, but there we stood, spinning the bee in front of the sugar snap peas he had planted, when we heard Aaron, the boy next door, scream in a high, inhuman pitch—a cartoonish noise I thought only diving eagles made, or the ricochet of bullets in old westerns. I almost laughed. My father knew better. He straightened and ran toward Aaron in the side yard between the houses. He leapt over the chainlink gate with a quick hop, following behind the crying boy until he caught him by the arm and saw where Aaron was pointing. “What?” my father asked.

“My sister,” Aaron screamed.

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Our Family Walks

By N. R. Robinson

Featured Art: A Window Seen Through a Window by Theodore Roussel, 1897

“Y’all are hungry,” Mama said, no question in her downcast whispery voice. “I’ll be back quick.” There was something definite behind the distraction in Mama’s careless hair, and in her careless face, and in the blue-veined hands that wandered as she spoke. Too young to understand, Cookie’s puzzled brown eyes darted back and forth between Mama and me. Cookie was weeping that day because I was.

That autumn of 1963 people were walking, and we were among them. But our walks, at the time, seemed purposeless. Or perhaps I did not see then their purpose. I barely knew it, but ’63 was a dangerous time to be wandering the heat- and frost-blazed roads of America. Over the months surrounding what would be our last family trek across D.C., a quarter million folk marched on Washington, protesters were beaten in Birmingham, a U.S. President was assassinated in the street.

When Mama called our aimless ambles anything, they were Our Family Walks. We strolled that September day, just weeks after my seventh birthday, Mama on one side, five-year-old Cookie on the other.  It was late afternoon when Mama crooned—face demure, fragile, resolute—“Don’ worry babies, th’ angels are beside y’all,” then walked away. Because I’d learned it was useless to protest, I pulled Cookie to the sidewalk curb. Snarling cars and trucks belched heat and grit in our direction as we watched Mama flicker and fade down North Capitol Street. Before she left, I’d searched her eyes. She was telling the truth, I decided. I promised Cookie, “Mama comin’ back this time.”

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May B

By Lois Taylor

Featured Image: Young Ladies of the Village by Gustave Courbet, 1851-2

The last thing May B ever wanted was to be stuck with Tweety, who is standing there in her halter top and shorts, frowning at the yowling cat.

“Run that by me again, where you got her?” says Tweety.

May B explains how the stray came to the door just before her mom got sick and the aid car had to take her away again, and her mom said the cat was pregnant but way too young to have kittens.

Now the cat begins to twitch. “She’s going to die,” says May B. “She doesn’t even have a name.”

“Who’s talking about dying,” says Tweety. “Help me get that baby ready.”

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Tutti Frutti for Me

By Andrea Simon

I’m watching The Adventures of Ozzie and Harriet on the giant Admiral 21-inch console television, and I can’t wait for the commercial to raid the freezer and see if there’s any ice cream. My father, mother, and sister are in the living room; and it’s no use asking them because my father would not answer me, my sister would order me to bring her a bowl of whatever I find, and my mother would say that I should look myself if I want anything that badly. Besides, what I’m longing for does not exist in this small Brooklyn apartment. I need to find tutti frutti ice cream, and the only flavors my mother buys are butter pecan for my father and chocolate for my sister. Every time I tell my mother that I don’t have the same taste as my sister, she seems surprised and says, “Why, I thought chocolate was your favorite.” I always answer her with the truth, “I love vanilla.” But it may as well be tutti frutti because she never listens to me.

The reason I’m crazy with the tutti frutti is because in the show, the Nelsons see a story in the newspaper about a police sergeant who was keeping a lost boy happy with a large tutti frutti cone, entertaining him until his parents showed up. This is the one night the Nelsons decided to forgo dessert in order to cut down on calories. Ricky, the troublemaker, wants tutti frutti badly. Darning socks, wearing a high-necked sweater with a double strand of pearls, Harriet Nelson says, “I haven’t tasted tutti frutti in years.”

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On the Strand

by Dave Kim

Feature image: Edgar Degas. Beach at Low Tide (Mouth of the River), 1869. The Art Institute of Chicago.

My mother’s boyfriend was a man named Bang. I never learned his first name. He’d been an officer in the Korean army before coming to the States, and he would yank me out of bed at six-thirty every morning to do jumping jacks. I was a doughy nine-year-old and he was trying to make me leaner and tougher. If I got angry, he would dare me to hit him and stand up for myself, get it out of my system. On Sundays we’d go to his boxing gym to watch the men pound each other to pieces, which terrified me at first and then made me dream of days when I’d be big enough to put on gloves and whomp Bang in the gut. I needed a good ass-kicking, he would tease me in his throaty Korean. Anytime I wanted, I could challenge him. Mom didn’t get involved.

The three of us went to Santa Monica Beach one Saturday afternoon to ride our bikes on the Strand. Bang would take me fishing on the pier sometimes and when we rode past it that day, I thought about how much I would rather be out there with a basket of calamari and a cherry Icee, watching our poles nod on the railing. It was one of those perfect afternoons when the California coast looked way better in real life than on the glossy postcards they sold on the boardwalk. Couples were stretched out on the sand, half-hidden under candy-colored parasols. The sky was ablaze in orange light. But I didn’t care about the scenery. All I really saw was this endless bike path and its dashed yellow divider. The back wheel on my hand-me-down Schwinn was grazing the brake pad with every rotation and I lagged at least a hundred yards behind.

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