Summer Online Exclusive
By Owen Thomas
My father told me the story of this big-time gangster from Georgia. The guy ran the streets of Tbilisi but left in the 1990s. He was running from something. He ended up a trash collector on the streets of New York City. I used to imagine this gangster’s thick gloved fingers wrapping around the handles of the plastic bins, lifting them up and flipping them into the back of the truck.
Read MoreBy Daryl Ogden
My mother and I were driving home at dusk on a two-lane country highway following one of our visits to the fire station where her newish boyfriend was posted. It was Memorial Day, a couple of months ahead of my eleventh birthday. A pair of vehicles were bearing down on us, their headlights filling up the rear and side view mirrors of our Toyota. The trailing drivers had already twice veered over the center line and gunned their engines, with ambitions of sling-shotting past. My mother responded by pressing hard on the accelerator, threatening a head on collision from traffic traveling in the opposite lane. Even though an 18-wheeler was now headed our direction a few hundred yards in the distance, both trailing vehicles tried again to pass. My mother floored it, forcing the drivers back into our lane or risk being entombed within thousand-pound accordions.
“They’ll have to wait until I’m ready for them to drive on by, Billy.”
On the road, my mother didn’t take any crap.
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By T.S. McAdams
Featured Art: Will O the Wisp by John Sabraw
Whether Todd Schultz ever ate cold refried beans for baby food, I don’t know. That’s something people said. I didn’t think his family was all that poor. He drove to work, so I guess they had an extra car. He said Goblin Hills had turned him down the year before. In a suburb with a big amusement park like that, it’s everyone’s first job. They always needed people, and your application was pretty much your address and your grades. You knew kids were tanking at school when Goblin Hills didn’t want them, but Todd got in the next year, at seventeen, and luck or some good or bad fairy godmother got him assigned to Casa Picante.
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By Ryan Shoemaker
Featured Art: Delta Bloom by John Sabraw
“Bruises on the fruit, tender age in bloom.”
— Kurt Cobain, “In Bloom”
“He walked out the back door of Exodus and climbed the six-foot wall … over the next two days, there were scattered sightings of Kurt.”
— Charles R. Cross, Heavier Than Heaven: A Biography of Kurt Cobain
Thursday, March 31, 1994, my eighteenth birthday. That was the day Scotty and I helped Kurt Cobain out of a tight spot and then jammed with him in my basement. I know what you’re thinking — I’d have thought the same if it hadn’t happened to me. But it did. This was back when I played guitar and Scotty drummed, back when we had this crazy idea, like a million other kids drunk on the grunge zeitgeist, that all we needed to be rock stars were some ratty jeans, a thrift-store cardigan, three guitar chords, and enough repressed angst to pen the next great teenage anthem. But that was years ago, six days before Kurt put a shotgun in his mouth, before Scotty really did become a rock star, and before I stopped caring about all of it. That day I met Kurt, that changed everything.
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By Karin Lin-Greenberg
Featured Art: Girl by Egon Schiele
Ms. Gardner had not been in support of the plan to drag Roland Raccoon to every middle school science class, but the principal said they’d paid Margery Martin a flat fee for the school visit, and it would be a waste if every student at Grisham Middle School did not have the opportunity to visit with Roland. Ms. Gardner was certain the eighth graders in her sixth period class were too old to learn life lessons about kindness and compassion and giving everyone and everything a chance from a twelve-year-old blind raccoon that was also deaf in one ear. “But he loves to be sung to,” Margery Martin had informed the class, adding, “in his good ear.” She cradled Roland in her lap as if he were a baby.
Margery leaned down, put her lips unsavorily close to Roland’s ear, and sang something that might have been Frank Sinatra. The boys who were sitting against a bookshelf near the rear of the classroom, as far away from Margery as they were allowed, snickered, and Ms. Gardner heard the word “rabies” whispered several times. Margery was in her seventies, wore a baggy sweatshirt with a large cartoon raccoon’s face on it, pink elastic-waist pants, and thick-soled orthopedic shoes. Perhaps the fifth graders might find something charming in her, might think she was similar in some way to their beloved grandmothers, but the eighth graders were surely too jaded to believe that spending an hour sitting cross-legged on the floor surrounding a woman crooning to a raccoon splayed on her lap was a good use of their time. There were twenty-four of them in a semi-circle on the floor. Well, twenty-three of them cross-legged on the ground and then Julia Fredericks in a wheelchair. During the summer, she’d been in a boating accident when she’d gone to visit her cousins on Long Island, and her legs had been crushed. Doctors were unsure if she would walk again. Some of the girls in the class treated Julia as if she were their wounded pet, making sure to follow her everywhere, offering to help her at all times, even when it was clear that she did not need help. These girls were well-intentioned, even though they were mostly unhelpful and in Julia’s way. Julia had been remarkably patient with the girls fussing over her, and Ms. Gardner had thought of nominating Julia for Eighth Grade Student of the Year for this patience and for her resilience in the face of adversity, but she was afraid others would believe Julia’s nomination (and likely win) to be the result of teachers feeling sorry for her.
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By Eliot Fintushel
Featured Art: West Wind by Duncan Grant
“He goes on wings of wind,” is what a psalm says, one of the psalms. Another one says, “Happy is he who shall grab your babies and hurl them against a rock.” When I try to explain these scriptures to Miriam and Cassie, they look at me like I’m stupid. Do you call that a friend? In the Jesus times, friends even kissed each other on the lips for hello—Miriam would be caught dead first. Cassie, okay, actually, even on the lips, which I am going to tell you about it, except for the fact that she is damned to Hell.
Like, I’m the one who is stupid! This is what the Bible says about sinners like Miriam and Cassie: “They have their reward.” Namely, shit.
Miriam wears this, like, Nazi dirndl, which she thinks is cool, with her curly once-upon-a-time blonde hair and with sunglasses with red rims, and she looks like melted cheese with a worm in it, but she walks like she thinks she is a beauty queen, you know, with, like, her one heel right in front of, like, the toe of her other foot, in a straight line, supposedly, except that it’s crooked!
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By Corey Van Landingham
Featured Art: Wooden fence with two black buffaloes by Markus Spiske
When my first boyfriend’s mother died of breast cancer, I spoke with him on the cordless, from the bathtub, trying to console him. He was calm in his grief, and I broke his heart soon after. A cruelty only vaguely acceptable at fourteen. A week before we had snuck out, in the middle of the night, and driven up the snaking mountain roads of southern Oregon. Toward what? Toward something. We could feel a pull all around us, the silence in the woods, the ghosts of the Shasta people passing below our windows.
What did we know of love? Across the screen, in the dark computer labs of our youth where we played The Oregon Trail on our soon-to-be-extinct Apple II computers, love was entering in the names of those you wanted to take with you, west, toward the promised land. We could all begin a new life together, if we purchased the right supplies. Unless we were in a particularly harsh environment, we knew to conduct a brief funeral. Here lies Laura. We wrote epitaphs across the virtual tombstones before continuing down the trail.
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By Gwen E. Kirby
Featured Art: Fisherman’s Cottage by Harald Sohlberg, 1906
We see him first at the reservoir, a middle-aged man with an oval of fur on his chest, nipples like button eyes, and blue swim trunks with yellow Hawaiian flowers. We are swimming, and he regards us from the shore in that way we are learning to expect from a certain kind of man.
Like every day in Tennessee, it is hot, and in the early afternoon, we walk from the stone campus of this small college to the lake. We are at a summer music camp, our fingertips sore from strings, our backs sticky with sweat, and when we reach the lake we shed our summer dresses and leap from a boulder into the water, which is deep and clean. Around the lake, tall pines and the heavy hum of Southern bug life. We float on our backs, conscious of how our breasts protrude from the water, pleased that we are sixteen, except for Caisa who is seventeen and over-proud of it. For her birthday, she buzzed her head. Her cheekbones are sharp and high, and even if she were not older, she would be our leader because she walks with confidence and draws checkers on the white rubber of her Converse in ballpoint pen, cheap ink that shimmers like oilslick. We wish we could go home and buzz our heads, draw on our shoes, but our faces are round, we like our sneakers white, we like our mothers happy.
The man doesn’t jump into the water. He walks down the wooden stairs to the dock, sits, then eases himself into the water as if it pains him. Though we don’t say anything, we cease floating on our backs, tucking ourselves under the surface, our heads and shoulders bobbing in a circle.
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By Z.Z. Boone
Featured Art: Vase of Flowers by Odilon Redon
Nobody was really surprised when Rosemary Villano turned up pregnant. It was like my dad said at dinner the night Bernadette Fischer, a receptionist at Staten Island Physician Practice, walked across the street and dropped the news.
“The girl had it coming,” he said.
This was in August 1995, when Rosemary was eighteen. She was my buddy Chegg’s sister, and had quit high school in January in order to work full-time at Frosty’s Italian Ice Creamery in the mall. Some genius had stuck her in this short, skin-tight beige uniform, and it seemed the area’s male populace—my dad included—had all of a sudden developed this insatiable craving for spumoni.
Rosemary had been dating this oversized pinhead named Eddie Dowd ever since her freshman year, another dropout who thought nothing of punching a kid like me in the stomach, or shoplifting liquid Tylenol from CVS, or talking about Rosemary with his fellow goons and saying stuff like, “This girl could suck the bark off a maple tree.” He drove around in a white van that had an amateurish painting of Daffy Duck saluting the American flag painted on the side, under which the words, “Where the Women At?” were printed.
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By Bradley Bazzle
Selected as runner-up for the 2013 New Ohio Review Fiction Contest by Stuart Dybek
Featured Art: Decorative Study: Satyr by Aubrey Vincent Beardsley
In the spring of 1985, Ben lived with his friend Marco in a second-floor apartment near the college where they were sophomores. For fun they watched girls sunbathe down in the small back yard across the alley. They kept a potted ficus by the window to obscure their faces.
One day, while they were staring at the girls through the ficus leaves, Marco said he had an idea. He went down the hall and came back holding the VHS camcorder Ben got for Christmas and kept beneath his bed.
Marco said they should use the camcorder to film the girls. “That way we can watch them on the VCR at night,” he said, “when it’s more fun to watch sexy stuff.”
“No way,” Ben said.
“But we can pause it and look really hard.” Marco described in loving detail the way the girls’ bikini bottoms pinched their thighs and the way their breasts drooped to the sides when they lay on their backs.
Ben liked that stuff too, but he wondered if filming the girls didn’t make him and Marco weirdos. Instead of explaining this to Marco he said, “Don’t touch my stuff. Camcorders are expensive.”
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by Anastasia Selby
Featured image: Edvard Munch. The Girl by the Window, 1893. The Art Institute of Chicago.
It’s Vegas and I’m sixteen years old. I’ve been playing in the arcade for hours; I’m leaning on the console of Mortal Combat, pushing the quarters my stepdad has given me into the slot one after another, wearing the tips of my thumbs down with their ridged edges. I’m bored as hell and my parents have abandoned me in this wasteland, I can practically see the tumbleweeds and hear western music as I walk across the patterned carpet. I pass all the men and women with their heads almost touching the bright lights of the slot machines, their hands like lobster claws around the levers, as if they’re waiting for the secrets of life to come pouring out when they hit the right combination. The secrets must be what they see on billboards, what they see in magazines. The arcade smells like the sweat of children and sounds like broken glass.
Starting at the Excalibur, a gaudy Disney imitation that should have been torn down years ago, I walk from casino to casino, reveling in the transition from air-conditioning to the surreal heat that cloaks everyone who ventures outside in a thin layer of plastic wrap. I stare back at the men who gawk at me on the sidewalk as I walk past them, men who are over twice my age and probably have daughters half my age. They must give their daughters baths and put them in their pajamas at night, patting their heads as they tuck them into bed. I can’t remember one time my father actually tucked me into bed. He left when I was two.
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by Dave Kim
Feature image: Edgar Degas. Beach at Low Tide (Mouth of the River), 1869. The Art Institute of Chicago.
My mother’s boyfriend was a man named Bang. I never learned his first name. He’d been an officer in the Korean army before coming to the States, and he would yank me out of bed at six-thirty every morning to do jumping jacks. I was a doughy nine-year-old and he was trying to make me leaner and tougher. If I got angry, he would dare me to hit him and stand up for myself, get it out of my system. On Sundays we’d go to his boxing gym to watch the men pound each other to pieces, which terrified me at first and then made me dream of days when I’d be big enough to put on gloves and whomp Bang in the gut. I needed a good ass-kicking, he would tease me in his throaty Korean. Anytime I wanted, I could challenge him. Mom didn’t get involved.
The three of us went to Santa Monica Beach one Saturday afternoon to ride our bikes on the Strand. Bang would take me fishing on the pier sometimes and when we rode past it that day, I thought about how much I would rather be out there with a basket of calamari and a cherry Icee, watching our poles nod on the railing. It was one of those perfect afternoons when the California coast looked way better in real life than on the glossy postcards they sold on the boardwalk. Couples were stretched out on the sand, half-hidden under candy-colored parasols. The sky was ablaze in orange light. But I didn’t care about the scenery. All I really saw was this endless bike path and its dashed yellow divider. The back wheel on my hand-me-down Schwinn was grazing the brake pad with every rotation and I lagged at least a hundred yards behind.
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By Maggie Mitchell
Featured art: Figures by Benjamin F. Berlin
Maddy is thirteen, almost fourteen. Her chest is as flat as a boy’s and she does not own a pair of Jordache jeans.
“I hate Fridays,” she tells her mother. What she means is that she hates everything.
“I know you do,” says Jude, understanding perfectly. “I’m not sure what you want me to do about it.”
“It feels like I’m in prison. There aren’t any windows in there.” She’s referring to her room behind the bar, to which she is more strictly confined than usual on Friday nights: Jude insists that she stay out of the way when it’s crowded. “I can hear people but I can’t see them.”
“Why would you want to see them? They’re adults at a bar.”
“But that’s all there ever is,” Maddy rails, not even caring if she makes sense. “Adults at a bar. I wish we could be normal.”
“That’s what you keep saying. You tell me what normal is, and I’ll see what we can do.”
Maddy whirls around and storms into her room behind the bar, daring to slam the door. She knows only what normal isn’t.
Read MoreBy Scott Garson
She didn’t believe that anyone could believe that she was this person. This person had a weighty face. It looked weighty. Full of bone. The name was “Danna”—Danna Hollenfar.
Danna was, by printed date, twenty-two years old. In the photo her mouth and nose were pulled to the left, as if she was resisting a joke. But her eyes looked frank and hard.
“Danna Hollenfar,” she said out loud. She was doing her eyes in the mirror. “1311 Rand Boulevard.”
The boy at the door of the club, however, was too coked up to ask questions
Read MoreBy Patrick Hicks
She was naked on the embalming table and I just couldn’t stop staring at her nipples. This happened two years ago when Ginny Pazinger ran a red light while she was text-messaging a friend. One of those big SUVs ran into her car and she spun around the intersection like a top. Shattered glass and chunks of vehicle burst into the air, explosion-like. My family has been in the funeral business since 1882 so we expected Ginny’s body to be banged up pretty badly, we thought it would be a closed casket for sure, but her remains were in good shape thanks to the side airbag.
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By Christine Sneed
Featured Image: Farralones Islands, Pacific Ocean by Albert Bierstadt 1872
Two questions you don’t ask a blind person: Aren’t black-and-white movies boring? Is that cop car following me? Another thing you have to keep in mind when you’re with a blind person is that if you move anything like the paper towels and the soap that usually sit to the right of the kitchen sink, you can bet you’re going to get chewed out for it later. No matter that you are sometimes an idiot and didn’t mean anything by it at all—you’re still going to get in trouble.
What I don’t like about making a mistake is that no one gives you the chance to explain yourself. You’re supposed to sit there and let everyone yell at you, even Mr. Rasmussen who, when he’s annoyed, looks like he’s staring at a spot above my head, which I don’t think he knows he’s doing. Sometimes he wears sunglasses, but mostly he doesn’t. His eyes look like a person’s who can see, which is a little strange because I start to wonder if he’s faking it, but if he is, I doubt he’d want me hanging around his house messing things up.
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New Ohio Review 