Hole in One

By Alan Shapiro

Since my dad was blind by then,
when David and I led him from his apartment
to the tee of the shrunken one hole
golf course that served as kitschy
courtyard for the complex
of retirees only well-off
enough for this unironic
aping of the rich, it was by habit
only that he looked down
at the ball he couldn’t see,
then up and out into the void
of stunted fairway and green
while first this foot then that
foot patted the fake grass, almost
kneading it cat-like till the tight
swing arced the ball up high

as the second-story windows
and I swear it was like a trick
ball the pin on an invisible line
reeled in straight down
into the hole—his first and only
hole in one, on the last swing
of a club he ever took, though
we didn’t know this then, and how
we whooped my brother and I
as we jumped and capered throwing
the other balls up into the air
while the old man baffled said what?
what happened? what? already wistful
for this best moment of a life it was
his luck the blindness made him miss.

And now it’s my luck, isn’t it just
my luck, to be the last one
remembering, as if I’m not just
there with them but also far
removed above it all and watching
as through the block glass of an upper-story
window high enough for the ruckus
not to reach me but too low
not to see the filmy blur of
bodies hugging one another
pumping fists as arm in arm
the three of them head out across
the fake grass of that single hole.


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Serenity Room

By Linda Hillringhouse

Featured Art: Buste van een oude vrouw by Anonymous

There are five recliners in a circle,
each with a spongy blanket.
The lights have been dimmed,
but an aide has left behind her walkie-talkie
and it sounds like it’s ready to lift off.
My mother is in one recliner, I’m in another,
an easy way to spend time now that she’s afraid
of the color red and distrusts windows
as if the glass weren’t there and the fingers
of the dwarf palmetto would reach in
and pull her down into its dark center
to cut out the last cluster of syllables
huddled beneath her tongue.

I look over to see if she’s sleeping
and her eyes are open as though
she’s forgotten to close them. Maybe
she’s on some dusky street where half-drawn
figures drift and sounds almost blossom
into meaning. Maybe she opens a door
and her aunts from Brooklyn are there
and clutch her to their mountainous breasts
where she could stay forever.

She tries to inch out of the recliner but an aide
intercedes with a cup of apple juice
which my mother examines closely
for poison and studies her hand as if it’s
screwed to her wrist. Then she brings the cup
to her lips as if it’s the last thing left
from the world when she was Shirley
and carried keys, lipstick, cash.

And I hope that the cold, sweet liquid
brings a moment’s pleasure, but how can it be
that it comes to this, that at the end you get
thrown in the ring for one more brutal round
without enough stamina to put on your shoes
or enough strength to say Thank you or Go to hell.


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