Turtles
By Celeste Amidon
Featured Art: “Olwyn (she/they)” by Jemma Leigh Roe
Sylvia was a waitress at the Desert Jewel Casino in Scottsdale, Arizona. She wore a little black dress with a white bowtie to work every night, where she served food and drinks—pork dinners and Tequila Sunrises and cheddarstuffed meatballs and Irish car bombs—to bachelors and addicts and men with catheters snaking down their legs.
She had just graduated from the University of Arizona Sierra Vista with a 2.4 GPA in psychology. Not knowing what else to do, she moved into her parents’ basement with the blind cat and the washing machine. Her mother said she was welcome any time, but her father wanted her to pay rent, so she got a job at the casino. When she wasn’t working, she was playing solitaire or combing the cat’s fur with a pink brush from the dollar store. Sometimes, she tried to meet people, at a live music event or on an internet date, but those nights always ended so miserably she could not eat the following day. She hated Scottsdale—the dialysis centers and the nursing homes and the golf courses and the dry heat—but she liked her job. She liked working the graveyard shift and sleeping all day. She liked how men stared hungrily at her from across the room. She liked how the black nylons made her legs look. She liked the endless music box noise of the games.
Most of all, she liked Wes. Wes worked as a slot attendant. He had long blond hair and tiny diamonds in his earlobes and a blue sea turtle tattooed to his forearm. She liked to watch him walk on the casino floor, how he played the drums with his fingers in the air as he went. She liked to watch him in the break room, the way his shoulder blades hooked over the backs of the plastic chairs like bat’s wings.
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